A Quote by Jessie Buckley
I like to be out of my depth - that's when I learn the most.
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Emotionally, I feel mostly out-of-depth, like I will never quite learn how to be what I should be. And that makes me feel pretty vulnerable a lot of the time.
I think you accidentally learn things in high school that turn out to be life lessons when you are able to step back a bit and study them in more depth.
Film has far more color shades. It's called 'bit depth' in digital terms. And most bit depth in digital is about twelve, but film bit depth can be twenty to thirty. And so you just have more shades of yellow and red and oranges and everything.
Without 'Santini,' my life as an actor would never have had any of the depth or, at least, nothing like the depth it has now.
I like feeling out of my depth.
When you listen to a symphony orchestra, and the basses don't - there's no bass part, there's not that much depth. That's why I'm attracted to the instrument, the bass. It brings depth. It's like playing in a rainforest.
Even dramatically how you position some person, the depth, the existence [in 3D] is different than a flat image even though by itself it has depth, we create the illusion of depth. For example, some of the shots I have to stay closer to the actor because it's a young actor, I like it closer for some of the shots. I watch 2D scenes next to the camera, then when I go back to my station and watch it in 3D I have to go back and reduce his acting, he has to shrink a little bit because he peeks out more.
You have to learn to recognize your own depth.
I think bringing depth to characters means really needing to find out who this girl is, what is she passionate about, what makes her tick, what gets her going in life. So I did a lot of backstory for who she was and sometimes it comes across screen and sometimes it doesn't. You never know, because you're not the director, but you can only do your work and hope that it somehow subtly is infiltrated in that. But I think the characters I've played for the most part have depth, just not in the way that you think they do.
Don't love deeply, till you make sure that the other part loves you with the same depth, because the depth of your love today, is the depth of your wound tomorrow.
With manga, in my art style, I don't do much in the way of techniques to create depth. But even though I don't do depth techniques through my art, I am conscious of depth itself.
I learn the most from trial and error. I learn about what I'd like to be able to do from people like Barbara Mason. Saying I want to sing like Barbara Mason and doing it, it's two very different scenarios.
I thought being in the wheelchair might be kind of limiting for me as an actor. It turned out cool in a lot of ways. Of course, at the end of the day, I can get up out of the chair and go home, but I'm very acutely aware that most people can't, so I try to give the situation that depth.
I think college is an absolute. In this world you have to learn how to learn and get in the habit of always wanting to learn. Some kids have that out of high school and may be able to do the college equivalent of home schooling. Most kids can't. So I highly recommend going to college.
You'll come to learn a great deal if you study the Insignificant in depth.
In like manner the effect of every action is measured by the depth of the sentiment from which it proceeds. The great man knew not that he was great. It took a century or two for that fact to appear. What he did, he did, he did because he must; it was the most natural thing in the world, and grew out of the circumstances of the moment.
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