A Quote by Jessie Cave
When I'm not working in a professional capacity, I'm writing, and when I'm at home, it's a way of having contact with people or communicating.
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I do know people and there are people in my family who have had Alzheimer's and dementia, and I appreciate the importance of communication and having contact with them. Communicating is an interesting thing with a condition like that. Sometimes it's difficult to communicate. If the brain becomes atrophied or certain channels of the brain become atrophied, then contact is what becomes really important.
As far as working with Kanye and Solange, that was amazing. After 'Swing Lo Magellan', I needed a change. Getting to work in that capacity, writing for other people and working for other people as a writer and as a person who's not representing it as the front person or whatever - it's such a different perspective you can get.
In a certain way working in animation has become very democratic because now anyone with the right technology can at least prepare a project from home in order to attract investors. Some people can even set up a small home studio and start working.
I speak onstage to try to establish some method of communication. The songs are supposed to be a way of communicating. But speech and drinks and sometimes chocolates are also a way of communicating.
To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in the evening, is a heartbreaking task for men who know good writing from bad. They do it, but instinctively draw out of harm's way anything precious that might be damaged by contact with the public, or anything sharp that might irritate its skin.
Yashraj liked my writing style, and they had a concept in mind, so they hired me to write. That's how 'Luv Ka The End' was born. It was fantastic working with them. They are very professional. For the first time, I did not have to ask for my cheque. It was sent home, in time.
A lot of people, myself included, are excited about blogging and stuff like that, citizen journalism, but I do remind people that no matter how excited we are, there's no substitute for professional writing, no substitute for professional editing, and no substitute for professional fact-checking.
Each of us has his own way of emerging from the underworld, mine is by writing. That's why the only way I can keep going, if at all, is by writing, not through rest and sleep. I am far more likely to achieve peace of mind through writing than the capacity to write through peace.
I take pride in the fact that people go home having felt that for 90 minutes today, life is beautiful - and that's it, basically. That's why professional football exists.
Not working in journalism enables full attention to writing projects, which is good. But I miss the benefits of daily contact with people who are younger, energetic, engaged. And the necessary involvement with people and places and situations that enrich the imagination. I miss the enforced encounters with unusual projections of reality.
The American child, driven to school by bus and stupefied by television, is losing contact with reality. There is an enormous gap between the sheer weight of the textbooks that he carries home from school and his capacity to interpret what is in them.
Communicating is a bit of a problem. Playing in New York is great but there are times when I feel a long way from home.
Worst part of being a writer: having to tell my toddler that I can't play with her because I'm working. Keep in mind that working consists of me at home with a laptop on my lap sitting on the couch. It doesn't look like working. I don't have a hammer or anything.
I'm working on poems about work, I guess. Or related to work. Which sounds dull as drywall but I'm having great fun working the vernacular of work into poems. I'm also writing some poems about family. And I don't know, just writing. Taking breaks. Writing some more.
There is an advantage in having a routine and working with the same people when you can and in writing as a regular thing and filming as a regular thing. That routine pays off for you. You get a lot of productivity that way, rather than sitting around waiting for inspiration and waiting for the perfect thing to happen. I would be much less productive that way.
At first, teaching was more or less a straightforward way of making a living and having access to institutional resources while writing - aka libraries. And that was not inconsiderable. But it didn't in any way touch the writing. Maybe it would push the writing aside sometimes, but mostly it was fine.
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