A Quote by Jessie J
My attitude goes back to my childhood. I used to audition for theatrical roles, and you can't stand out in a room full of ambitious eight-year-old girls by acting the wallflower. I realised then that I couldn't do things half-heartedly.
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I didn't tell anybody [had got a role at As Good As It Gets], because I was just going, "Well, that was the strangest audition..." And I just thought, "There's no way he gave me the job on the spot when there was a room full of other girls waiting to audition for it." But then I didn't hear anything for a couple of days, so I finally called my agents, and they're, like, "Oh, yeah, congratulations! We know Jim [L.Brooks] told you in the room that you got it."
One of my few childhood memories is as an eight-year-old, refused permission to watch the Hitchcock season on Irish television, sneakily viewing 'The Birds' though a crack in the living-room door. It transformed my hitherto perfectly enjoyable half-mile walk to school, down a country lane patrolled by watchful birds, into a terrifying ordeal.
When I started, every film got a full theatrical distribution. Today, almost no low budget films, maybe two or three a year, will get a full theatrical distribution. We've been frozen out of that, which means they must be aware that for a full theatrical distribution it either has to be something like Saw or some exploitation film of today or an extremely well made personal film.
Give more acting roles to 48-year-old half-Lithuanians who just don't want to be pigeon-holed as bakery presenters.
With stand-up you meet almost constant rejection. You put yourself out there with your thoughts and your ideas, and you think they're funny, and you hope other people think they're funny too. The only way you're going to find out is when you do it and what the reaction is going to be. So if you're not prepared for that, if you're not willing to go along with that, it's going to be a rough road. But beyond stand-up, in terms of auditioning for acting roles, you don't get most of the roles you audition for - you get a precious few.
I'm afraid to say I was Mr. Popular at school. I went out with all the girls in my year - I quite liked girls back then - and even dated ones in the year above.
I can't choose my roles half-heartedly.
I've never done anything half-heartedly; it's a disservice to me and the audience if I do it half-heartedly.
If I can, I would like to do as many different roles in a year because then there is no stagnation. That used to happen when I played one role in a serial for years. When a show goes on for years and is delivering ratings, you didn't get the chance to take up other roles and shows.
Then sing, young hearts that are full of cheer, With never a thought of sorrow; The old goes out, but the glad young year Comes merrily in tomorrow.
Between parts I was too old for and roles that were too overwhelming, out of reach then for my voice. I carved out a niche with the Wagnerian repertoire since I am attracted by its theatrical intensity.
I've always believed that if you put in the work, the results will come. I don't do things half-heartedly. Because I know if I do, then I can expect half-hearted results.
I got into politics when I was eight years old. Six years now. And I got involved because I started listening to talk radio. It goes back to one event. The Democrats filibustered something in the Senate when I was eight years old. I don't remember what it was on and I didn't honestly care when I was eight years old. I cared about the history and the Senate rules.
I went in for an audition [for As Good As It Gets], but the audition was with James L. Brooks. I was the first girl in that morning, and there was a whole waiting room of girls waiting to read for it. So I did my audition, and he asked me to step outside. So I stepped outside, and when he asked me to come back in, he looked at me, and he said, "Well, I'm very excited to work with you on set." And I was, like, "What?" I thought it was a Hollywood blow-off.
I actually hated dancing. My mum used to have to bribe me to go by buying me things. A year before I stopped going, I was going to go for an audition with the Royal Ballet. It turned out I was a year too young. Because I was tall, they thought I was older. But before I had the chance to go back, I quit.
I always thought you went out and entertained people and got nothing back in return. But in the last year, I've realised that what the crowd gives you is so amazing, that sometimes I just stand onstage and cry.
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