A Quote by Jessie Kahnweiler

Trying to tell an authentic, raw and honest story without making it therapy. Separating myself enough to have perspective while putting myself in the emotional hot seat so that I could make this thing real. Asking for help. Delegating responsibility. Standing up for myself. Fighting the impulse to be sweet and likeable 24/7. Being open to all ideas, but staying true to the spine of the story. Knowing when to let go and when to hold on and fight like hell. Getting out of my own way. Shall I go on?
It's only a story, you say. So it is, and the rest of life with it - creation story, love story, horror, crime, the strange story of you and I. The alphabet of my DNA shapes certain words, but the story is not told. I have to tell it myself. What is it that I have to tell myself again and again? That there is always a new beginning, a different end. I can change the story. I am the story. Begin.
The ideas always have to be in service of the story. And that's what Scott and the writers did - they weren't trying to beat you over the head with an idea; they had a story they wanted to tell, and they had ideas, so they used the story as a way of fleshing out the ideas. It all depends on where they want to go with it.
The way I write, I need to tell the true story. I can't just make a story up. So I have to let the things happen to me and allow myself to work through my thoughts.
I kept a lot of my thoughts inside myself. So, perhaps more than is normal, I'm always questioning my role as a writer. I'm always stopping and asking myself: Do I have the right to tell this story? Is it a story that deserves to be heard? And as for whether I think of myself as a Writer with a capital "W," I very much hope I never do.
I'm more honest in my lyrics than I am in anything else. It's where I feel the most safe to express myself. I write about growing up, my family, Maddie and getting pregnant. If I've lived it, why wouldn't I talk about it? I guess that's been the coolest thing - realizing that it's OK to just be myself and really tell my story.
Sometimes the music just has to tell the story without you trying to tell the story. It depends on the type of music you want to make. If it makes you feel good and party then you go with that. If it makes you feel like speaking on something real and doing a story then it's the beat just has to have the story.
When I'm writing, I'm trying to immerse myself in the chaos of an emotional experience, rather than separate myself from it and look back at it from a distance with clarity and tell it as a story. Because that's how life is lived, you know?
I never thought I would be in a situation where I would have to go into the stands and actually help my teammate fight fans. But at that time, there's no way I could have lived with myself knowing that my teammate is in the stands fighting and I'm not helping him.
When I'm with him, I can feel myself getting better. It's like he's picking up broken pieces of me and putting me back together, and I don't even know he's doing it. We never talk about it. We don't go to therapy. He just loves me and that's enough.
I am a director and I think actually they're not that different - dramas and docs aren't that different. When I'm doing a drama I'm trying to make things feel as believable and real as possible. The hair, the make-up, the costume, the design, you're trying to make it authentic. And when you've got a documentary it's all authentic, so what story are you going to tell and how do you make it dramatic and exciting? It's the same thing.
At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.
I was my own Peeping Tom. Because of the absence of people I could do anything, and if it wasn't good I could destroy it without damaging myself in the presence of others. In that sense I was my own clay. I formulated myself, I mated with myself, and I gave birth to myself. And my real self was the product - the polaroids.
I love sitting at my desk and facing a quiet day with a pen in my hand, and putting myself into a story. It's kind of weird, isn't it? I mean, to absent myself from real life and make up stories is strange, but I started doing this when I was ten years old. It was all I wanted to do.
I think I have learned to really get out of the mathematical side of myself that looks at story and story structure and go with, "Okay, well, what would people do in real life?"
I find myself speaking through the other characters, putting ideas in their voices and heads. Writing almost becomes a splitting of myself into multiple personalities. But I don't write to make an argument on behalf of any of the characters, or to prove anything about a character. I think that's important that I be serving the story first and not my own point of view.
My job is to help the functioning of the story, not to draw attention to myself, but to make my characters function within the story, to work for the benefit of the story, to make the whole thing work.
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