A Quote by Jessie Mueller

The important thing is the storytelling and having a script that makes you feel you're living and breathing through the characters. — © Jessie Mueller
The important thing is the storytelling and having a script that makes you feel you're living and breathing through the characters.
I think everybody came into it with the understanding that they would go through an experience that is literally not by the book, that is not executing the script and then going home, but living and breathing these characters and being in the moment with each other, and improvising and creating a lot of present-tense intensity between characters.
The script was always the most important thing to me and I loved the script. For one thing, I've always admired trees. I just worship them. Think what trees have witnessed, what history, such as living through the Civil War, yet they still survive.
The first thing, when I read the script, is that I need to care about what happens and feel compelled by the story and engaged by the characters. It needs to resonate with me, even if what the characters are going through is not something that I have experienced in my life. I have to feel like it has some sort of meaning to me.
The script is the most important thing for me. I'm advised that other things are important too, and they are. The director that you'll be working with is hugely important, and the cast that are with you is really important as well. But, for me, the thing that gets my heart excited and really makes me invested in something or not is just the quality of the script.
I like finishing a movie and having this living, breathing thing.
You need to know the characters as living, breathing people before you start the plot; otherwise, you'll feel panic, anarchy and chaos.
Writing makes you feel that there is a reason to go on living. If I couldn't write, I would stop breathing.
I do think comedy needs to be a living thing, but I think without a great script and fully realized characters, you cannot keep it living. Otherwise it just becomes long and rambling indulgent.
Breathing is important in the practice of meditation because it is the faculty in us that is simultaneously voluntary and involuntary. You can feel that you are breathing, and equally you can feel that it is breathing you. So it is a sort of bridge between the voluntary world and the involuntary world — a place where they are one.
Some actors might just do one thing, and another actor does another thing. I do an awful lot of preparation with the script, really. What I do is repeat the script, over and over and over again. Through that, it's almost like it seeps into my enamel. I'm reading all the characters, as well as my own. That is where the bulk of my preparation goes into.
When writers are self-conscious about themselves as writers they often keep a great distance from their characters, sounding as if they were writing encyclopedia entries instead of stories. Their hesitancy about physical and psychological intimacy can be a barrier to vital fiction. Conversely, a narration that makes readers hear the characters' heavy breathing and smell their emotional anguish diminishes distance. Readers feel so close to the characters that, for those magical moments, they become those characters.
I do think comedy needs to be a living thing, but I think without a great script and fully realized characters, you cannot keep it living. Otherwise, it just becomes long and rambling, indulgent. So I think you need both, frankly.
I feel my characters are valid, my characters are people, my characters have hope. Hope is the thing that'll take us through.
When I read a script, the important thing is that I can connect in some way with that character and have some idea from what his story is that I can tell that story too, because that's all acting is, is storytelling.
Sondheim informs us, more than any other composer, about the joys, passion and pain of being a woman living in various social conditions through the ages with frightening accuracy. Playing a variety of his characters has always made me feel like I'm having a free therapy session through his words and music!
I can't really iterate what I look for in a script. It's a very subjective thing. Like an organic attachment you have with the script and characters.
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