A Quote by Jessie Reyez

It's hard to get someone to sit down and listen to an album in its entirety. — © Jessie Reyez
It's hard to get someone to sit down and listen to an album in its entirety.
I do understand that not everyone is going to sit and listen to an Enya album. When someone says it's not their cup of tea, it's not their kind of album, that's fine by me.
I feel like it's really kind of a sit-down album, much in the same way I imagine Billie Holiday or someone sitting down in the studio and singing.
When a new record came out, the world would stop that day, and we would sit in somebody's house - whoever had the best stereo system - and sit in the middle of the two speakers and listen and discuss and listen again and go over the album notes and get out the guitar and start playing it and discuss and play some more.
Imagine if somebody were to really sit down with Osama bin Ladin and say, 'Listen man, what is it that you're so angry at me about that you're willing to have people strap bombs to themselves, or get inside of airplanes and fly them into buildings?' That would be the miracle if we can get, sit down and talk to our enemies and find a way for them to hear us.
A lot of people do talk about the demise of the album, but I still believe that if an artist tries hard to make a great album, people will buy it and listen to it as an album, rather than just a collection of random songs.
Everybody else goes out and plays a show as if it's their album, which is boring. I'd rather sit at home and listen to the album, because I hate to be in a smoke-filled, loud room - that's not enjoyable for me at all...I always look up to guys who can sit and do dinner music...they're singing in tune and playing somebody else's music, and I don't think I could do that...it's the shittiest job in the world.
The first album was a coming-of-age album - I don't like the phrase, but when you listen to it, you can tell I was having a hard time, that I wasn't socially relating to people.
If you pay attention, everyone is a novel. The most boring person, if you sit down and really listen, is someone interesting.
I don't listen to music a lot in that I rarely sit down and put on a CD because I really want to treasure the silence that is there when I'm not practising. But when I listen to a piece, I listen to it often.
Albums tend to dictate what they need. Every time I have made an album it sort of feels like it is decided for me how that album is going to sound; it is not really a cerebral decision where you sit down and decide that you are going to make an album that sounds like 'this.'
I make up cassettes all the time - to take on the road with me - a song from this album, a song from that album. That's the way I listen to music; it's like one of those K Tel things: it's from all over. I listen to Fred Astaire, I listen to African folk music, I listen to Talking Heads.
It's hard to listen to your own record or your own songs and not pass judgment in a critical way just because it's your own thing. It's weird to sit down to listen to it to enjoy it.
You can never get a woman to sit down and listen to a drum solo.
I usually wait until I get on the bus, when I'm done with media and I get to sit down and listen to my music and just read through everyone's messages.
I think I sit down to the typewriter when it's time to sit down to the typewriter. That isn't to suggest that when I do finally sit down at the typewriter, and write out my plays with a speed that seems to horrify all my detractors and half of my well-wishers, that there's no work involved. It is hard work, and one is doing all the work oneself.
I don't make records so I can sit down afterward and listen to them. I make them so other people can sit down and listen to them.
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