A Quote by Jessie Reyez

I purposely try to make my music cinematic. I try to inspire visuals even though I'm only an instrument of sound. — © Jessie Reyez
I purposely try to make my music cinematic. I try to inspire visuals even though I'm only an instrument of sound.
What kind of music keeps its relevance? That's why I purposely try and avoid any particularly current trends in electronic music. I do actively stay away from the most popular rhythms of the moment. In six weeks' time, those will sound out-of-date.
I had never before thought of how awful the relationship must be between the musician and his instrument. He has to fill it, this instrument, with the breath of life, his own. He has to make it do what he wants it to do. And a piano is just a piano. It's made out of so much wood and wires and little hammers and big ones, and ivory. While there's only so much you can do with it, the only way to find this out is to try; to try and make it do everything.
I look at the film without any music or sound. I try to grasp the story from the screenplay. I try to write to the novel or book if there is one. I try to create music that's honest and true to my heart for the story.
When you're on camera, even though you try to lose yourself in the character, you are aware that there is a camera there capturing every moment of it visually. With doing a voiceover job, you are worried about the sound of it, and you have to make all those visual colors come out with your sound.
There's a difference between writing, the written word, and music. When you have the blank page it doesn't make a sound, which is like what happens to me every night when I'm playing. There is that crazy moment: the first mark you make on the page. But sound can inspire sound, in a way that words can't inspire words - at least for me. The nature of sound itself is still a huge mystery to me. I'm very happy about that.
I would describe my style for those who haven't listened to my music as definitely..up-tempo. I try to have something nice, something people could dance to. It's kind of hard though to describe my sound in one record because I think when I approach music I try to do something different every day. Do a different vibe.
I try not to force my sound on everybody. I try to yield unto each artist and... I try to just support that sound rather than force a sound that might not fit.
I don't try to make one thing. I really try to experiment, even if its just the vocals or the beat. I can't really describe my sound.
What I try to impart to a musician is to really try to practice the instrument in a really sincere way. Learn as much about music as you possibly can. Learn composition. Study to try to create compositions of your own and put your own personal touch on your music.
The emotionally sound person should be able to take risks, to ask himself what he really would like to do in life, and then to try to do this, even though he has to risk defeat or failure. He should be adventurous (though not necessarily foolhardy); be willing to try almost anything once, just to see how he likes it; and look forward to some breaks in his usual life routines.
I'm very selfish. I make music that I love because I only live once, and I'm an artist. I don't try to revolt against anybody, and I don't try to please anybody. I feel very strongly that I if love it, someone else will love it - not everybody, though.
Honestly, the way I make music, you know - it's like, I don't want to sound cocky or anything, but I try my best to make time with music that doesn't have an expiration date.
My approach to writing rhymes went hand in hand with the music. I'd try to make different rhythms with my rhymes on the track by tripping up patterns, using multi-syllable words, different syncopations. I'd try to be like a different instrument.
I have great samples of my drums and I try to program them pretty much how I want to play them, try and make it feel natural even though it's programmed.
I personally don't think of the music as being particularly dark, though many seem to disagree as I often have to answer that question. I try and make the Lustmord sound have a real mass and a tangible presence, which some choose to interpret as dark. It's an interesting distinction. Although there are dark elements interwoven within the whole, it's only one of many textures.
I try to exercise as much as possible and eat healthy. But most importantly, I try to make sure that I'm near people who inspire me to be a better person.
This site uses cookies to ensure you get the best experience. More info...
Got it!