A Quote by Jessie Ware
I've turned down songs that would be much easier to play on the radio that I don't think should be on the album. Maybe I've shot myself in the foot.
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I figured the songs wouldn't make much of a splash. I didn't think 'Take Me To Church' would play on the radio or get in the charts, and I didn't think about dealing with a global audience.
If part of the purpose of making an album is to get some radio play, then you might as well think about that. But that's not really how we picked the songs.
I turned down 'American Gigolo.' There are many films - like 'Ghostbusters' - that I turned down... The first one I did was 'Foul Play' with Goldie Hawn, but I turned down 'Animal House' - I turned that down.
When I wrote those first songs for the Truckers, songs like 'Outfit' and 'Decoration Day,' those were strong songs, very strong songs. But had I been in the position of writing an entire album at that point in time, I don't think the whole album would have been of that kind of quality.
I first thought maybe I'd do a banjo presentation record, where I'd play a couple of songs and get a bunch of other players to do the rest. Then I realized I had enough of my own songs to do an album of them.
The 'Maybe Memories' album I remember having and listening until it broke. I remember it skipped one day; two or three songs wouldn't play on my CD player because I listened to it so much.
When I finally stopped [singing], he had been saying, like, the last day or so, he'd been saying, now, I think we should put this one in the album. So without him saying I want to record you and release an album, he kept - he started saying, let's put this one in the album. So the album, this big question, you know, began to take form, take shape. And Rick [Rubin] and I would weed out the songs.
By the time I actually recorded Bitter Tears I carried a heavy load of sadness and outrage; I felt every word of those songs... I expected there to be trouble with that album, and there was.... when it was released, many radio stations wouldn't play it.... The very idea of unconventional or even original ideas ending up on "country" radio in the late 1990s is absurd.
I used to write songs that mimicked other songs that I would hear as a kid, cos I was 12 years old when I was writing those, right. And you hear a radio so all I'd write about was [sings] "hey girl, look at you", you know what I mean. I think that even doing that made it easier for me to write non-personal songs because, from a kid, I never wrote personal songs, they were always like mimicking. And now I'm just trying to understand my writing and where it's coming from.
I think my album, 'United We Are,' was the perfect blend or radio- and festival-friendly songs. I try to combine both.
In terms of not retiring? I don't want to leave and think to myself, "Maybe I should have stayed a bit longer". I'm dwelling on it. I have turned down a few Premier League offers. But the fact is, after being at Chelsea for so long and a year with Manchester City, I don't want to get involved in a relegation dogfight.
In my opinion, I would still like to go into a studio - because I love the environment of being in a studio - and record a great album beginning to end, but then maybe not release it as an album. Maybe put singles out there, put songs out there - either give some away or release some the traditional way.
I think if you buy the 'Christmas Queens 2' album, there will be songs you love and songs you hate, just like every other album.
You can have a favorite band, but when they sign with a major label... maybe a new producer says, 'You can't do that, take this down a notch.' And you'll keep listening, but you'll always think their first album was their best album.
I always feel like I have got so much to write about, when it comes to writing for the album. I still think that even though my songs are written from my perspective, I think that all age-ranges can relate to the songs.
It was quite a shot in the head to do the album and then have it shot down by nonmusical idiots
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