A Quote by Jessye Norman
As for my voice, it cannot be categorized-and I like it that way, because I sing things that would be considered in the dramatic, mezzo or spinto range. I like so many different kinds of music that I've never allowed myself the limitations of one particular range.
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As for my voice, it cannot be categorised - and I like it that way, because I sing things that would be considered in the dramatic, mezzo or spinto range.
I like so many different kinds of music that I've never allowed myself the limitations of one particular range.
Some people say I've got a five-octave range, which is ridiculous. That would mean I'd sing like Mariah Carey or that alien in 'The Fifth Element.' And I'm nothing like that blue alien. I've got a range of about 3 1/2 octaves.
We are apt to think we know what time is because we can measure it, but no sooner do we reflect upon it than that illusion goes. So it appears that the range of the measureable is not the range of the knowable. There are things we can measure, like time, but yet our minds do not grasp their meaning. There are things we cannot measure, like happiness or pain, and yet their meaning is perfectly clear to us.
I love... different kinds of music. I like classical music and pop music. I like alternative, and I like rap, hip-hop, and I kind of collected all these things that I love, and they infused my sensibilities, and I just wanted to sing because it felt like it needed to come out of me.
I like L.A., but I think what's changed is that the kinds of films I do, the mid-range dramatic film, has become an endangered species.
A term like capitalism is incredibly slippery, because there's such a range of different kinds of market economies.
I like L.A., but I think whats changed is that the kinds of films I do, the mid-range dramatic film, has become an endangered species.
It's funny, because in drama school, my greatest strength was my range. So my early career was like that: I played all kinds of different characters.
I was always casting about for role models as a kid and the Star Trek was always available via reruns and also full of possibilities. I wanted to be like Spock because he was unflappable. I wanted to be like Kirk because he had magnetism and the ladies loved him. Bones was a grouch but he was sympathetic. The show worked like a boy band in that way... it had characters who embodied different psychic or emotional positions and that allowed me to see a great range of things.
I know my voice has a limited range of motion; I don't write dramatic monologues and pretend to be other people. But so far, my voice is broad enough to accommodate most of what I want to put into my poetry. I like my persona; I often wish I were him and not me.
When we recorded the song I Just Can't Stop Loving You, my vocal range is a little higher than Michael's range. He had me re-sing the demo in the new key. Then doing that he filmed me singing this demo in the new key. I actually said, "What are you doing? Why are you filming this?" He said to me, "Because I want to sing it like you. You sound so great and I want to sing it just like you." I said, "Oh, great, Mike, my friends are really going to believe me when I tell them that Michael Jackson wanted to sing this song just like me." We laughed about that.
I don't know why people call me a jazz singer, though I guess people associate me with jazz because I was raised in it, from way back. I'm not putting jazz down, but I'm not a jazz singer...I've recorded all kinds of music, but (to them) I'm either a jazz singer or a blues singer. I can't sing a blues – just a right-out blues – but I can put the blues in whatever I sing. I might sing 'Send In the Clowns' and I might stick a little bluesy part in it, or any song. What I want to do, music-wise, is all kinds of music that I like, and I like all kinds of music.
I can hit baritone notes, and I can sing in the soprano range if I wanted to. I did this thing a long time ago where I did a duet with myself. I sound like two different people.
For me, I don't really feel like I have any particular main influences or artists that I pull from; it's more of an underlying effect of such a big range of music that I love and I identify with - and all of that plays into what I do in minimal ways. I just really try to make music that reflects my identify, which is hard to pin down and is a lot of different things. I strive to make music that is hard to describe and meshes a lot of different genres, with the vocals being the thing that ties it all together.
It's fun to use all of my range; there are so many different colors and textures that come out, revealing different parts of my voice. I know what my voice is capable of, and I try to fit it to each song, evoke a mood.
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