A Quote by Jessye Norman
I wasn't born Austrian; I wasn't born German. My roots are from Africa, and I do not have any reason for not wanting to celebrate that. Every time that I can, I like to kind of mention it, you know, just to keep people sort of knowing exactly what's going on. My French is pretty good, but I'm still African, thank you very much.
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I was born at a very crucial time. I consider 1968 to be the Mason Dixon line between pre- and post-civil rights generation ideas, whereas a lot of people born before '68 they kind of went into that Moses mentality. Like, I'm not going to make it, you know, I don't have any hope.
You're not an African because you're born in Africa. You're an African because Africa is born in you. It's in your genes.... your DNA....your entire biological make up. Whether you like it or not, that's the way it is. However, if you were to embrace this truth with open arms....my, my, my....what a wonderful thing.
People wonder why I love Africa so much. I say this is where I was born and raised. My roots are in Africa; that's were I developed.
I lost my accent pretty quickly, so everyone assumes I was born and raised in America. But I'm very much still in touch with my Filipino roots. That will never go away.
There are many artists that I know exactly where they are born and what their names are and where they live, which are still very, sort of, hidden. Even Nick Cave, who has a film about himself nowadays, is still someone who I would claim to be utterly enigmatic.
My parents were born and raised in Iowa and my two brothers were born in Iowa before my family moved to California where I was born so I still really feel like I have those Midwestern roots.
It really should not matter which colour of skin a person has. I know where my roots are, and I know that I've been born and raised in Germany. I see myself as a German, and I like to show that.
When we adopt a dog or any pet, we know it is going to end with us having to say goodbye, but we still do it. And we do it for a very good reason: They bring so much joy and optimism and happiness. They attack every moment of every day with that attitude.
My own personal theory is that all popular music, in whatever form it is, to me, it all comes from Africa. Whether it's filtered through America or whatever - African-American. But I still think there's something in that roots music that's very, very African, and I think that's what unites people.
I grew up in the Middle East. My folks have a very thick, kind of Oklahoma accent; that's where I was born. But we moved to the Middle East right after I was born, so I guess we were surrounded by English people and French people.
I am not African because I was born in Africa but because Africa was born in me.
When a child is born, it's born with a heart of gold, but the way of this world can turn that heart cold. I'm still a good person, and I thank God for that - He's working with me on it.
Born in England during the First World War, of Belgian parents with partly German roots, I grew up in the cosmopolitan city of Antwerp, where I had the benefit of a classical education taught in the two national languages of Belgium: French and Dutch.
[S]ome people are self-starters, and some people are born lazy. Some people are born victims. Some people are just born to be slaves. Some people are born to put up with somebody else making every decision for them.
Congolese rumba was so huge in Africa that everybody was inspired by it. But my African roots brought me this music. In every African family, parties in Brussels, we used to listen to this kind of music. And salsa music as well.
When we were not shooting [The Hangover] we were sleeping, so pretty much every waking moment we spent together. And, you know, Bradley [Cooper], Zach [Galifianakis] and I were acquaintances before the movie started but we became good friends very quickly and spent so much time together that it was just inevitable we were either going to really hate each other or really like each other. Thank god it turned out to be the latter.
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