A Quote by Jesus Navas

I chose City because of the huge interest in me. Sevilla hadn't won a trophy for a couple of years, so it was a good moment to leave. — © Jesus Navas
I chose City because of the huge interest in me. Sevilla hadn't won a trophy for a couple of years, so it was a good moment to leave.
In my country, we say that football is like a huge plate of food. Well, I want to eat everything because I want to win every trophy I can for City.
I like Sevilla's attacking style. That is why I chose them.
The Good News borne by our risen Messiah who chose not one race, who chose not one country, who chose not one language, who chose not one tribe, who chose all of humankind!
I chose New Orleans because New Orleans chose me. This city gave me my dad and my love of life.
I will be the one lifting that trophy, not Paolo Maldini. Imagine me hoisting the trophy. It is an image I have in my mind and I want to make it a reality. We have world-class players and, believe me, they are in the mood to do it. The atmosphere around the club at the moment is just top-class.
[After Easy Rider] I couldn't get another movie, so I lived in Mexico City for a couple of years. I lived in Paris for a couple of years. I didn't take any photographs, and then I went to Japan and saw a Nikon used. I bought it, and I just started, like an alcoholic. I shot 300 rolls of film. That was the beginning of me starting again.
The families who chose me to take their terminally ill kids on their last hunts in life many times over the years know and love the real Ted Nugent. That they decide I'm good enough to take part in such a spiritual and emotional moment in their lives proves that I am good enough.
It took me five years to get my first trophy with Ajax but it feels like you have to win a trophy to win more and then they follow. It's just the belief you can win it.
I've been in New York for 14 years. I would never leave for good. The city is so much more alive than so many other places, and I think it is fodder for performers. You see so much; research is thrown at you everywhere you go. There was a rat on the subway train recently - you saw the video online - that's fantastic! That's something that is so specific to this city, the way you are pushed up against humanity, and the animal kingdom, whether you want to be or not. It's a stimulating city - physically, intellectually, culturally. It never ceases to thrill me.
N.Y. is like second home to me. I love that city. I have lived there for a couple of years and it's always a pleasure to go back there.
I always want to play and even more so against Sevilla because of all that it means to me.
My government revoked my passport intentionally to leave me exiled. If they really wanted to capture me, they would've allowed me to travel to Latin America, because the CIA can operate with impunity down there. They did not want that; they chose to keep me in Russia.
It took me forever, learning improvisation, because I had studied with Lee Strasberg - I dropped out of Chicago and went to his classes in New York for a couple of years, once or twice a week. What I didn't realize was I was learning directing because he wasn't all that good about acting, not for me.
LA is such a crumbling mess of a city. Basically in all my years of travelling, I haven't found another city in the western world that interest me as much as Los Angeles - which might sound like heresy, but most cities, history has already happened and the people living there are sort of living on the bones of the thousand years of history that's already happened there. Whereas LA is always reinventing itself.
When the history books are written in a thousand years, when space travel would have become routine, the moment that humans first left Earth will be of huge importance. Star City is a central part of this story and it deserves more recognition.
My intention was to write a chapter of the moral history of my country and I chose Dublin for the scene because that city seemed to me the centre of paralysis.
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