A Quote by Jewel Staite
I think 'Teenage Wasteland' was one of those cult hits like 'My So-Called Life', something that came along and got a lot of viewers and then somehow fell into a bad timeslot that nobody ever watched, and then the network pulled the plug prematurely.
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Honestly, I don't know enough about what's a good timeslot and what isn't. Either you have a timeslot where nobody is really tuning in, which isn't good, or you're in a good hour, and then you've got a lot of competition.
I had some bad times. We got married because, you know, I was pregnant. But then I lost the baby. Ups and downs. And then when 'Bande a Part' came along, I was in a really bad shape. I didn't want to be alive any more.
Prior to 'The Shield,' basic cable was just a wasteland of reruns and NASCAR. When we came along, I think there was a collective, 'Hey, if they can do that, why can't we?' from the basic-cable networks of the world. We ended up being the cornerstone for a network, and a great one.
I would say, if you're a musician then you probably have some capacity and some intuition. You've got to trust that intuition and be true to what compels you. There will be a lot of things along the way that will try to remove you from that, and if you do, then I think you are diminished. If you stay with it, then you have something that's real.
If something comes along that's really good, and I think I would be good for it, I'd be happy to do it. But not too many came along. I mean, they came along for the first, I don't know, 15, 18 films, but I didn't do that many. But then I didn't want to do the kind of junk I was seeing.
Just because it reads well doesn't mean it's always going to look good on screen. Then, a network or studio has to pick up the show, and then they have to order more episodes, and then people have to watch it. It could be the greatest thing on television that nobody ever watches.
When you - when someone dies in your family and you think you're over it, and then you wake up in the morning and it hits you, 'I won't ever see my brother again. I won't ever see my mom again.' And it just kind of hits you like that.
I think it's a great thing to have failed in life and then pulled yourself up by the boot straps and actually done something, because then you appreciate it more.
When you've got an extra gear in your head where that's all you do, you've constantly got a little radar up. ... And when something hits that strikes that beeper, hits that radar, it's like my song skills kick right in and go, 'Oh, OK, there's a song in that.' And then I start trying to figure it out.
You think we got it bad in Omaha, or in any city in the United States, and then you go to a different country and you see how bad they got it. You give those people a balloon and they'll cherish it like you gave them a chunk of gold.
I needed to do a lot of saying no. I had a lot of [interest] from people who I just didn't think were quite right for it. And I didn't want a bad film to be made of the book, either a sentimental one or a creepy one, so I did a lot of, "No thank you." Then when the right filmmaker came along, yes, I suppose I presented myself very much as wanting to be the writer.
I think the key is that nothing's ever perfect and you've got to be able to go with change. It's a lot easier said then done because I especially like things very structured and I don't like change, but it's part of life; you've got to just deal with it.
Life can be so good if you let it. But you must trade with life. You give something and you get something, then you give something of yourself again and you receive something again. Life goes bad when people try to take from it without giving. Then they came away empty-handed, and they grab harder and more often, growing more disappointed and disillusioned each time.
I got called to write for Aerosmith, nothing ever came of it, but I ended up spending the day with Steven Tyler and going to his house and we sat down at the piano, just me and him, and he sang for me and played, then he asked me to sing for him, and then we sang harmony together. That was just a big moment where it was like 'oh my god, my life is crazy!' It was really cool.
When I was at Teradata, I got called a growth guy. And then when I became C.E.O. of the whole company, I got called a cost-cutter. Then, I came to H.P. and became an operations guy.
Yeah, D-Wade called me up last night and said that he saw some film of me in high school and thinks that my form then was better and that I should shoot like that. I told him I'd think about it and then my pops called and said something like that so I decided to revert back and then.
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