A Quote by Jez Butterworth

I don't think that writers have any responsibility to be good neighbors to the audience. — © Jez Butterworth
I don't think that writers have any responsibility to be good neighbors to the audience.
In one line of his poem he said good fences make good neighbors. I'd like to think that Alaska and British Columbia working together can prove that we can be pretty darned good neighbors without fences.
I'm never going to write fart jokes, because I feel like I have a responsibility to the audience to give them good stuff. I should be able to come up with something funnier than any third-grade boy could think of.
I see so many talented writers of color struggling to get their work out to an audience. I know that's the case for all writers - everyone's struggling for attention - but I do think that for writers of color it's harder, and for women it's harder, and for regional writers it's harder, too.
It's pretty inappropriate of fans to think they can expect any kind of narrative from showrunners or writers or actors. I just don't think that's the way you should engage with material that you're watching as a passive audience member.
We're trying to make something that lasts in language and there's no question that many fiction writers began as poets and it's hard for me to think of any good fiction writers who don't also read poetry.
Most writers are lazy intellectuals, and it's a goddamn shame because a writer with an audience has a moral responsibility to make readers think about the world in a different way than what they're used to. Why else would you pick up a book if not to inhabit another realm of existence for a while?
All will concede that in order to have good neighbors, we must also be good neighbors. That applies in every field of human endeavor.
Young writers find their first audience in little magazines, and experimental writers find their only audience there.
I think the composer and production staff of an opera have a real responsibility to use visual elements of all kinds to make clear to the American audience, at any rate, exactly what is going on.
Not that the writers weren't good. I believe in those books and those writers very much. It's just that in the climate it's really hard to keep the lights on and the doors open when you're selling poetry and literature that appeals to a fringe audience.
A good stand-up, you lead the audience. You don't kowtow to the audience. Sometimes the audience is wrong. I always think the audience is wrong.
The good stories, of course, write themselves. And somebody wants to know who are the really good writers, and how many of them there are. There aren't any. Most of the writers are likeable frauds. Some are unlikable frauds.
Now, if King Crimson accepts responsibility for innovating its own tradition, you can't accept responsibility for the audience. And there is an enormous tangible weight of expectation, which comes from an audience attending a King Crimson concert.
I think I can take responsibility for that in that I was the audience. I was the voice of sanity around whom all these crazies did their dance. And I reacted in the same way that a member of the audience would have reacted.
A China that trades extensively with the U.S. and its Asian neighbors will think twice before it pursues any policy that would place those relationships at risk. Likewise, trade between India and Pakistan could contribute to the normalization of ties between these long-estranged neighbors.
I don't think any country is perfect. It's our responsibility to do the best we can do to change the things we don't like. I think that's part of social responsibility, and everybody is going to do that in their own way.
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