A Quote by J.H. Wyman
Another part of the challenge was to bring back things that you've forgotten about and maybe some things you haven't forgotten about, recontextualize them and have the series make sense.
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Let it be forgotten, as a flower is forgotten, Forgotten as a fire that once was singing gold, Let it be forgotten forever and ever, Time is a kind friend, he will make us old.
What I try to do is write about forgotten people, and, in a certain sense, we're all forgotten.
When I write about things, it's a lot to do with sense memory. How things smell and taste can bring incredible memories flooding back and transport you in an instant to another time and place.
I have another aspect of my career where I'm a scholar of Yiddish and Hebrew literature, and I'll say that when you study Yiddish literature, you know a whole lot about forgotten writers. Most of the books on my shelves were literally saved from the garbage. I am sort of very aware of what it means to be a forgotten artist in that sense.
I always feel trepidation at the beginning of every project. I worry about so many things. Time to get it right, the skill to do it justice, the will to finish. I also worry about more mundane things, like what if my computer crashes and I've forgotten to back up the manuscript?
Every day things happen in the world that cannot be explained by any law of things we know. Every day they're mentioned and forgotten, and the same mystery that brought them takes them away, transforming their secret into oblivion. Such is the law by which things that can't be explained must be forgotten. The visible world goes on as usual in the broad daylight. Otherness watches us from the shadows.
Edward Eager wrote a series of children's books that are in danger of being forgotten. But they're divine: stories about ordinary kids who stumble on magical things - a coin, a lake, a book, a thyme garden, a well. The magic changes them, they try to change the magic, the magic moves on.
I want my music to be something that people use in order to access parts of themselves. So in that sense, every piece I write is about all emotions at once, about the lines in between. It's never only about one thing or another. It's emotionally getting at those things that we can't really describe - things for which we don't have labels. So yes, it's about something, and it has a use. It's neither about nothing nor about something concrete - it's about what you bring to it as a listener.
Why are some things remembered and others forgotten? That is the theme I want to pursue about the Second World War.
Business is another kind of world that I don't think is as passionate. It is not the pressure to perform as you have in football. It is more about strategy, skill, about how you deal with all the information you have. Some of the things from football I can bring to business, and some things from business I can bring to football.
Analysts have forgotten how to analyze business and they have forgotten how to be objective about them.
One day I was complaining to Bill Coltrin about what I thought was an unfair article about our team. I was going to call the writer and complain to him. Bill told me, "If you plan to stay in this business (coaching), you need to realize a couple of things about the press. One, whatever is written, it will probably be forgotten in two or three days by the public; and two, if you complain or make an enemy of the writer, just remember you may have your 'day in the sun,' but he/she is going to press 365 days a year." I have never forgotten that.
many things I knew, I have forgotten; many things I thought I knew, I find I know nothing about; some things I know, I have found not worth knowing; and some things I would give - O what would one not give to know? are beyond the reach of human ken.
I won because of the fact that people that are great, great American people have been forgotten. I call them the forgotten man and the forgotten woman. They've been forgotten.
I love a challenge. So when I did 'Friday,' I didn't want to do another comedy back-to-back. With 'Set It Off,' that was a little different from 'The Negotiator' and 'The Italian Job.' So for me, it's all about challenge. It's all about challenge and about just learning.
When I was thinking about all the things that the world had forgotten, it made me think about people who have actually really forgotten everything, and how much of our identity is wrapped up in those memories, and how much of our experience makes us who we are, and remembering those experiences makes us who we are.
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