A Quote by J.H. Wyman
The whole message of the piece was that possessions are transient. You don't know if you are going to be able to have time with somebody, so you better be careful.
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The thing with food is that you can give 20 people the same recipe and the same ingredients, and somebody's going to make it better than somebody else, and that's the creativity of it. It's like music. You could have a bunch of people playing the same piece, and somebody's gonna play it better.
I don't know what's going on, and I'm probably not smart enough to understand if somebody was to explain it to me. All I know is we're being tested somehow, by somebody or some thing a whole lot smarter than us, and all I can do is be friendly and keep calm and try and have a nice time till it's over.
A film is like a message dropped in a bottle in the sea that somebody finds. Every time somebody finds it, it's a miracle. But, I don't know what the perception will be. I can know what I tried to do, but I never know what the perception is.
I think I've always been a player who's done better in the second half, who's done better in the fourth quarter. That's the fun time to play, when everything you've worked for the whole game boils down to those last few possessions.
All you have to do is play better than the other guy and things go well. If you don't play better than the other players then somebody takes your place. Now a lot of guys, in this day and time with the transient nature of the sport, as soon as the competition gets too good, they want out.
If a film has a social message, it is very important for me to know what the message is and how it's going to be delivered, but it's not something I look for all the time.
Be careful about anybody who's running for president who's going to tell you that they're going to build a wall across the entire southern border. It's not going to happen. It is the wrong message to send. And it's not going to be effective.
You never know who's going to be in the audience. You never know who is going to be hearing that piece for the first time, and you never know who is going to be hearing that piece for the last time.
If I'm not in an environment where I can record, it's great to be able to write something down, to be able to know how to do that, to be able to write notation. You grab a piece of paper and there it is. It's the cheapest recording equipment you can buy: a piece of manuscript paper and a pencil!
If I do do a sequel, I'm going to have to know for sure that the script is better than the original. So I'm going to be very careful about that because I'm not eager to repeat myself.
Memory is the most transient of all possessions. And when it goes, it leaves as few traces as stars that have disappeared.
Somebody should be able to come to Canada tomorrow and have success. If there's any barriers, if there's any racism, we're going to send a real message that there's zero tolerance.
The message is always going to get through. Me being able to speak is a message in itself.
Once a piece of writing gets to a moment where it's not going to get much better than it already is, marinate it. If you still like the piece, send it out and see what others think. If not, it's time to put it away and forget about it for a while.
You need to know that going in, and you also need to be able to write all the time. So when somebody looks at you across the table and says, "What do you think about a movie where Miley Cyrus switches souls with a basset hound?" You need to be able to sit there and figure out how to make that possibly shootable.
Then you have these people in the movie theaters that talk the whole time during the movie. You ever go with somebody like that to a movie but you don't realize until you get there that you're with somebody like that? Brand new movie. First day it's open. You're there together and the entire time they're sitting there: Where's she going? Why'd he do that? Is he mad at her? I don't know, let's watch and find out together shall we? You know who you are. You're denying it right now: I do not do that. Why is she saying that?. What's she gonna say next?
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