A Quote by Jhumpa Lahiri
He tries to peel the image from the sticky yellow backing, to show her the next time he sees her, but it clings stubbornly, refusing to detach cleanly from the past.
Related Quotes
The child, in danger of the fire, just clings to the fireman, and trusts to him alone. She raises no question about the strength of his limbs to carry her, or the zeal of his heart to rescue her; but she clings. The heat is terrible, the smoke is blinding, but she clings; and her deliverer quickly bears her to safety. In the same childlike confidence cling to Jesus, who can and will bear you out of danger from the flames of sin.
She really started to cry, and the next thing I knew, I was kissing her all over - anywhere - her eyes, her nose, her forehead, her eyebrows, and all, her ears - her whole face except her mouth and all.
He’d spent his life being a perfect gentleman. He’d never been a flirt. He’d never been a rogue. He hated being the center of attention, but by God, he wanted to be the center of her attention. He wanted to do the wrong thing, the bad thing. He wanted to pull her into his arms and carry her to her bed. He wanted to peel every last inch of her clothing from her body, and then he wanted to worship her. He wanted to show her all the things he wasn’t sure he knew how to say.
He wants her in his bedroom. And not in that way — no girl has ever been in his bedroom that way. It is his private space, his sanctuary. But he wants Clary there. He wants her to see him, the reality of him, not the image he shows the world. He wants to lie down on the bed with her and have her curl into him. He wants to hold her as she breathes softly through the night; to see her as no one else sees her: vulnerable and asleep. To see her and to be seen.
We clear the harbor and the wind catches her sails and my beautiful ship leans over ever so gracefully, and her elegant bow cuts cleanly into the increasing chop of the waves. I take a deep breath and my chest expands and my heart starts thumping so strongly I fear the others might see it beat through the cloth of my jacket. I face the wind and my lips peel back from my teeth in a grin of pure joy.
The good enough mother, owing to her deep empathy with her infant, reflects in her face his feelings; this is why he sees himselfin her face as if in a mirror and finds himself as he sees himself in her. The not good enough mother fails to reflect the infant's feelings in her face because she is too preoccupied with her own concerns, such as her worries over whether she is doing right by her child, her anxiety that she might fail him.
Praise follows truth afar off, and only overtakes her at the grave; plausibility clings to her skirts and holds her back till then
I'm watching her talk. Watching her jaw move and collecting her words one by one as they spill from her lips. I don't deserve them. Her warm memories. I'd like to paint them over the bare plaster walls of my soul, but everything I paint seems to peel.
The lover never sees personal resemblances in his mistress to her kindred or to others. His friends find in her a likeness to hermother, or her sisters, or to persons not of her blood. The lover sees no resemblance except to summer evenings and diamond mornings, to rainbows and the song of birds.
I knew her hair and her coloring and her shapes would be different next time, but the way she wore her body would keep on.
My God", he whispered. What have I done to her? He thought, humbled. The spell was broken, but it wasn't sealed, and her soul was bare to him, the scars of her tragic past and her triumphs over pain and her aching need to find her place. He just wanted to hold her to him and tell her it would be okay, that she had survived and was beautiful.
That moment she was mine, mine, fair, Perfectly pure and good: I found A thing to do, and all her hair In one long yellow string I wound Three times her little throat around, And strangled her. No pain felt she; I am quite sure she felt no pain. As a shut bud that holds a bee, I warily oped her lids: again Laughed the blue eyes without a stain. And I untightened the next tress About her neck; her cheek once more Blushed bright beneath my burning kiss . . .
I stare at her collarbone that's framed with lace, the hollow of her throat, her shoulders that rise with each rise with the weight of her next breath. We're fragile things. Our bones show through our skin. What would any god want with us?
Recollect that to a woman who gets her living by her pen, 'time is money,' as it is to an artist. Therefore, encroaching on her time is lessening her income. And yet how often is this done (either heedlessly or selfishly) by persons professing to be her friends, and who are habitually in the practice of interrupting her in her writing hours.
The misnamed "feminine" woman, so admired by her creator, man - the woman who is acquiescent in her inferiority and who has swallowed man's image of her as his ordained helpmate and no more - is in reality the "masculine" woman. The truly feminine woman "cannot help burning with that inner rage that comes from having to identify with her exploiter's negative image of her," and having to conform to her persecutor's idea of femininity and its man-decreed limitations.
In the future if my mother tries to shame me with her disapproval, I will let her know in no uncertain terms that I reject her and all of her codependent baggage. I am Codependent No More.
Related Authors
Brian Tracy Quotes
American
Author
Cassandra Clare Quotes
American
Author
Frederick Lenz Quotes
American
Author
Henry David Thoreau Quotes
American
Author
J. K. Rowling Quotes
English
Author
Jodi Picoult Quotes
American
Author
John Green Quotes
American
Author
Joyce Meyer Quotes
American
Author
Marianne Williamson Quotes
American
Author
Neil Gaiman Quotes
British
Author
Richelle Mead Quotes
American
Author
Rick Riordan Quotes
American
Author
Robert Kiyosaki Quotes
American
Author
Stephen King Quotes
American
Author
Terry Pratchett Quotes
English
Author
Virginia Woolf Quotes
British
Author