A Quote by Jhumpa Lahiri
The reactions haven't differed; the concerns have been different. When I read for a predominantly Indian audience, there are more questions that are based on issues of identity and representation.
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It's a bad strategy to have an identity-based strategy on the left. De-emphasizing identity all-around would help our politics because we would have to pay more attention to the issues. We may have to pay more attention to class if we didn't have these self-defeating identity agendas.
Chandresh relishes reactions. Genuine reactions, not mere polite applause. He often values the reactions over the show itself. A show without an audience is nothing, after all. In the response of the audience, that is where the power of performance lives.
Many agricultural counties are far more important in the life of the State than their population bears to the entire population of the State. It is for this reason that I have never been in favor of restricting their representation in our State Senate to a strictly population basis. It is the same reason that the founding fathers of our country gave balanced representation to the States of the Union, equal representation in one House and proportionate representation based upon population in the other.
Management is clearly different from leadership. Leadership is primarily a high-powered, right-brain activity. It's more of an art it's based on a philosophy. You have to ask the ultimate questions of life when you're dealing with personal leadership issues.
Even with the beauty stories we put out, we saw there was an opportunity to address issues of representation, identity, self-expression. We created the community that we wanted to have at 'Teen Vogue.' We were willing to lose some to have more.
What's nice about 'Skinwalkers' is it's allowing an audience to see a different Indian perspective... I think, for myself, I'm trying to put the Indian perspective in a different dimension.
I think the identity politics that have been played, particularly the class-warfare version of identity politics that has been played, has put America into a class-based society - more so than at any point in my lifetime.
All voices are important, and yet it seems that people of color have a lot to say, particularly if you look through the poetry of young people - a lot of questions and a lot of concerns about immigration and security issues, you name it - big questions.
Issues are won based upon whether or not you can keep this economy strong; elections are won based upon economic issues and national security issues.
I'm really excited that the fashion industry is evolving, doing a much better job at representation, with women of color, women of different shapes, sizes, and creeds. It's been a long time coming... There were issues of tokenism, issues of misrepresentation. I'm optimistic that I see the change, the conversation that these archetypes gotta go. We can be very political and have long weaves down to our asses.
My feeling, however, is that films that are open are more productive for the audience. The films that, if I'm in a cinema, and I'm watching a movie that answers all the questions that it raises, it's a film that bores me. In the same way, if I'm reading a book that doesn't leave me with questions, moving questions, that I feel confronted with, then for me it's a waste of time. I don't want to read a book that simply confirms what I already know.
Some of the issues with identity politics are critical moral issues. But we've got to show America that we don't have a plan just on these so-called identity politics issues, but that we have a plan for the economy, that we know how to provide for a strong national defense.
There's many law changes, policy changes I can point to. But a lot of my work has also been to name the issue that no one else named - to spotlight it, to advocate for it. That's where all advocacy begins. I've asked different questions. I've raised different issues.
Every audience is different, even within the same venue. You have to just make every audience your audience; you can't pre-judge an audience based on the size of the room or the type of room.
Since I didn't grow up going to school dances, etc., I didn't have the normal . . . I grew up in a very different way so a lot of the childish concerns or teenage concerns weren't my concerns. My concerns were survival.
The art which speaks to a universal audience concerns itself with the 'big' questions of life and death, and delivers its message with unrelenting and powerful emotion.
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