A Quote by Jhumpa Lahiri

I feel that Italy's a country that's constantly looking out and constantly following what's happening in other cultural centers. What is being written in America, what is being published in England, what is being published in France. It's a culture that's always wanting to absorb and inform itself of other works, other writers, etc., etc.
There are always interesting, innovative, dynamic stories being written and being published. They're not always being prominently published, but they're being published.
My son was born somewhat late in my life and I just found myself really feeling like I didn't want to miss out on being a parent and being with him, and not wanting a situation where I was constantly pulled back and forth between being present, and having all these other pressures and considerations.
Not being published would be great. When I say that to other writers they look at me as if I'm totally insane.
With acting I am being led by the script, other actors, the director, etc. But with songwriting I feel it is much more self reliant and allows me to be in the creative experience without being as dependent on others.
About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction.
My attention is constantly being caught! I'm constantly learning, constantly becoming fascinated by new things - I'm lucky that I read incredibly quickly and absorb a lot of information easily, because otherwise I don't think I'd ever get my head out of a book!
The secret of success is to make your mind work for you - not against you. This means constantly being positive, constantly setting up challenges you can meet - either today, next week, or next month etc.
The way British publishing works is that you go from not being published no matter how good you are, to being published no matter how bad you are.
The subject who speaks is situated in relation to the other. This privilege of the other ceases to be incomprehensible once we admit that the first fact of existence is neither being in itself nor being for itself but being for the other, in other words, that human existence is a creature. By offering a word, the subject putting himself forward lays himself open and, in a sense, prays.
The fiction I've written and published is certainly inflected by the work of authors I was reading or translating at the time. One of my methods for developing my own voice in fiction, a process I am taking very slowly and deliberately, is through these very intense encounters with certain writers. Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one's own.
My first book published in France was translated and titled Exercices d'Attente in 1972. It was a collection of short works written and published in Romania. In 1973 I was ready to publish the novel Arpièges, which I had started writing in Romanian and of which I had published some fragments under the title Vain Art of the Fugue. Some years later, I finished Necessary Marriage.
I think it's really good not to get published. It sounds crazy but it's true. People want to get published very soon, but the moment that happens, you lose a bit of your originality. Once you publish, you are always doing things made-to-order. You stop being a weaver and become a tailor. You are tailoring things to suit other people's fashion.
America beats on you so hard the whole time. You are constantly being pummeled by other people's rights and their sense of patriotism.
Being published is not a necessary validation or a path everyone wants to take with their work. Writing—and finishing—a novel is a great thing in itself, whether or not the book is published, or becomes widely-read or not.
My understanding of kindness is that we are hoping to be truly beneficial in every situation, and that this desire means a whole suite of things: being nicer, sure, but also being more aware, more present, more articulate, more fearless, less habituated, etc., etc. And sometimes even being firm, or having an edge, or even being angry.
We reward people a lot for being rich, for being famous, for being cute, for being thin... one of the values I think we need to instill in our country, in our children, is a sense of 'usefulness', in other words, are we useful, are we making other peoples' lives a little bit better?
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