A Quote by Jhumpa Lahiri

If you look at my characters as a group, they all have a different relationship with the way that places can signify emotion in them - and the way those bonds can be shattered.
See the investment world as an ocean and buy where you get the most value for your money. Right now the value is in non-callable bonds. Most bonds are callable so when they start going up in price, the debtor calls them away from you. But the non-callable bonds, especially those non-callable for 25-30 years, can go way up in price if interest rates go way down.
As for my looks, if I didn't look the way I do, I would probably be one of those many faces doing a romcom, which I detest. The way I look has somewhere defined the characters I played. My weakness has become my strength.
I saw the excitement, going to different places, being able to explore emotion in a healthy way.
The first time we did it [voice-over], I was trying to use my face and my eyes more so and really portray that emotion, and that didn't matter. I realized you have to bring that emotion into the way you sound, and all those different layers have to be in your voice instead of the way you are wrinkling your eyebrows or whatever. I had to learn how to do that.
Relationship is the mirror: see your face there. Always remember relationship is the mirror. If your meditation is going deep, your relationship will become different - totally different. Love will be the basic note of your relationship, not violence. As it is, violence is the basic note. Even if you look at someone, you look in a violent way. But we are accustomed to it.
When I started doing television, I thought that I would change the way that I shot, the way that I blocked, and the technical side of it. You're not going to change your relationship with the actors or how you approach the characters. That wasn't any different.
I think a lot of women, in the way that they might attach emotion to sex, attach emotion to food, in a different way than men.
What I like to do as an actor is transform. It's way more fun to play characters who are completely different than me. I like playing characters who appear one way on the outside but are actually very different from that.
It's easy to look at the vampires as a metaphor for any feared or misunderstood group. It's also easy to look at them as a metaphor for a shadow organization that says one thing and has a completely different agenda on their mind, and anybody who gets in their way, they just get rid of them. Does that sound familiar?
The type of acting that I'm interested in, that I aspire to, is where I try and drag a lot of myself into whatever character it is. They can be very different types of characters, but at the heart of it, I always wanted to be a very, very believable and rooted in reality. One of the ways of doing that is to root it as much as you can in your own experiences and then tint those with different hues, different colors to give the different characters their way.
Literature may make the reader reexamine some of his or her own conventions, look at himself or herself in a different way, look at others in a different way. This goes way beyond just making statements or manifesting principles.
When I sing, it's different from when I speak in a very interesting way. I think that, when you're singing, a message is carried in a different way. I don't know if that emotion needs a melody.
Natural selection has duped us with an emotion that encourages group thinking. It is an emotion that makes us act as if for the good of the group; an emotion that brings pleasure, pride, or even thrills from coordinated group activity.
You have a different, much more intimate relationship with the characters in a novel than when writing a screenplay. You're able to get inside their heads in a different way. You can understand their motivations more.
There are more similarities than differences when it comes to preparation of a performance. You're using some lyrics, you have a relationship with them, they apply to different parts of your life and different circumstances, different memories, different stories you have in your head. You form personal relationships with the song. I think that's very similar, in a way, to prepping a character. You pour your own personality, in a sense, into the character, you sympathize with a character in a way that's similar to the way you might sympathize with a song.
My family dynamic is quite eccentric. I have two fathers. I think it depends on the relationship between the child and the parents, but definitely, when it comes to being a stepparent or a coparent, it's a different relationship. There's just as much love, but the bonds can be different. It depends when you come into their life and how well you know them - this dynamic takes a lot of patience and love.
This site uses cookies to ensure you get the best experience. More info...
Got it!