A Quote by Jhumpa Lahiri

I realize that the wish to write in a new language derives from a kind of desperation. — © Jhumpa Lahiri
I realize that the wish to write in a new language derives from a kind of desperation.
Nature is a language and every new fact one learns is a new word; but it is not a language taken to pieces and dead in the dictionary, but the language put together into a most significant and universal sense. I wish to learn this language - not that I may know a new grammar, but that I may read the great book which is written in that tongue.
There are millions of people living Thoreau's life of quiet desperation, and they do not have the language to escape from that desperation.
You don't say, 'I've done it!' You come, with a kind of horrible desperation, to realize that this will do.
I realize I have made a lot of mistakes and done things wrong. I've done things I wish I could have done in another way. I didn't come in with the same kind of desperation that I may have had on the first or second record. I didn't come in thinking, 'Oh God, please. I hope this does well because I have nothing else and I worked so hard at this.'
Everything derives from the mind. From sex to the way you want people to perceive you to anything in life, it all derives from the mind. If people start realizing this and get deeper into themselves they'll realize there's nothing that they can't do.
If you give a discount there's a desperation there and I like to substitute desperation with service and real quality. And the desperation goes away.
Today, for a Jew who writes in the German language, it is totally impossible to make a living. In no group do I see as much misery, disappointment, desperation and hopelessness as in Jewish writers who write in German.
One must avoid ambition in order to write. Otherwise something else is the goal: some kind of power beyond the power of language. And the power of language, it seems to me, is the only kind of power a writer is entitled to.
Oftentimes an originator of new language forms is called 'pretentious' by jealous talents. But it ain’t whatcha write, it’s the way atcha write it.
I thought why not write a kind of mystery, murder, thriller book, but use romance language where the language plays completely against the very dark subject matter, that very strange murderous plot, but use that Harlequin Romance language.
When you become fluent with language, it means you can write an entry in your journal or tell a joke to someone or write a letter to a friend. And it's similar with new technologies.
Russian is such a tough and complex language that I am happy enough to understand everything and read most things pretty well, but, without constant practice, my speech is not what I wish it was, and I would sooner write in crayon than write a letter in Russian.
You write your first novel with the desperation of the damned. You're afraid that you'll never write anything else, ever again.
In the future, we've forgotten it. It's disappointing to find out that the past is the present is the future. Nobody wants that. And yet, that's what it is. Maybe it's a kind of surrealist move, to use language like "post-racial" - thinking that if you create the language for it, it will happen. I wish it worked that way. But that's not our reality.
Teaching other people to write is not something I can do. The only kind of advice I can give them will be trite by its nature. Of course, read a lot, write a lot. The kind of advice I wish I had been given is all of a practical nature, having to do with publishers and agents.
The desperation meeting the silence with its unmasked wish.
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