A Quote by Jhumpa Lahiri

I'm the least-experimental writer. The idea of trying things just for the sake of pushing the envelope, that's never really interested me. — © Jhumpa Lahiri
I'm the least-experimental writer. The idea of trying things just for the sake of pushing the envelope, that's never really interested me.
I really dislike when people talk about "experimental," because any good writer is experimental. As a writer, you don't know what the hell you're doing. You're just doing it. You hope it works out well. I've been experimenting with these things myself in my own books.
Pushing the envelope' sort of implies that you're inside the envelope with everyone else, and you're trying to find the edges on the outsides.
As a father I am extremely proud of Beyonce. I mean, Beyonce just keeps pushing the envelope, pushing the envelope and setting an example of the whole industry.
Here I am just trying to fund myself to play a sport, but the greater picture is that I'm a female athlete really pushing the envelope for women in sports.
I like pushing the envelope. But I don't like to do it just for the sake of doing it.
I've never been about trying to promote a brand of Squarepusher. I've never been keen on that idea that these are the character traits that I've got to stick with and amplify and keep pushing forward and pushing on the public. I'm really happy to throw it all away and start each record with a blank slate but I concede you've got a point, there are things I can't get rid of, no matter how hard I try.
You hear ten seconds of a song, and you know it's OutKast. There's a strangeness about it because it's catchy, but it's not just pop for the sake of pop. They're pushing the envelope.
To me experimental fiction ultimately is about the experiment and I'm not interested in experiments for their own sake.
I think now that I've tried directing, I'm not interested in doing adaptations anymore. I could do an adaptation of someone else's work that I would write, but the idea of taking someone else's material entirely doesn't interest me. One of the things that I found really helpful, at least in my mind - and I've never discussed this with the actors or with the people I work with - is that being a neophyte in directing, I feel like I have a kind of authority simply because I'm the writer as well.
If anybody asks me what I attribute the longevity of my career to, then I say it's because I was never satisfied with being a cowboy in the plains of Spain and later I was never satisfied with just playing a detective in San Francisco, and constantly just pushing the envelope.
I'm more intrigued by things that I haven't really conceived of yet. I have the luxury of being able to think: "I've never done a ballet or an animated film myself." There are certain things that I feel I'd love to. I just want to keep trying new things and seeing if I'm any good at them, and if I'm not, then at least learning that. I definitely think I'm more interested in what medium I can explore right now than any specific story.
Don't hold back in your writing. Take risks. Go ahead and tackle that crazy idea that you think will never fly, because that may be the one that makes you stand out from the crowd. Keep pushing the envelope.
I'm never on Twitter. I'm never on Instagram. And that's not by choice: it's just that those things never really interested me. I might post a picture here and there, but that ain't really been my focus.
I really dislike it when people talk about "experimental," because any good writer is experimental.
I love that because that's what I'm supposed to be doing - whether it's accepted b everybody or not. I'm supposed to be pushing that envelope and trying new things. And people are supposed to say, Hov, you might have went too far.
I was never trying to be experimental or anti-anything; I was always trying to be real to things I was feeling.
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