I try to represent specific experiences of specific characters, and that's all I want to try to do. I don't ever try to think about representing a culture, because its impossible, and someone will fault you. And it just doesn't interest me.
In tantra one does not seek experiences that most people would consider unspiritual and try to see truth in them. In tantra we don't try to guide our life in a specific way. We let the winds of existence blow us where they will.
I try not to want any one specific thing to happen because that's then bound to probably not happen. Particularly in Hollywood, I try not to set my hopes on anything.
What is happening to our world is almost too colossal for human comprehension to contain...To contemplate its girth and its circumference, to attempt to define it, to try and fight it all at once, is impossible. The only way to combat it is by fighting specific wars in specific ways.
I'm a storyteller, and there's some genres I like. I don't think I'm ever going to do science fiction, but I want to do a musical one day. I want to tell stories, I don't really try to get boxed in by a specific genre.
I have a specific set of, I have a specific sort of negative energies to deal with that might be specific to me, but it definitely something that all artists have to deal with at one point or another. But I think for me, it's just maybe more specific.
I try not to push characters too close to myself because they get harder to write, but as a writer, you try to find odd little personal experiences that you hope are universal or think might be universal.
I try to create a kind of dynamic thing that hopefully some people will become interested in. And what they do with it after that is sort of up to them. But it's a specific item, it's a specific thing that I've done. And what they do with it is their problem.
My life isn't that dramatic. My dad really loves me, he just can't talk on the phone. He's too crippled and shy, and that's almost harder. He's there and he loves me, and I try and try and try, it's just impossible to have a relationship.
Most people think that intelligence is about brain, where really it's about focus. Genius is just attention to a subject until it becomes specific, specific, specific.
I try to be as specific as possible when saying 'Arab Muslims' because there are a lot of different Muslims. I've never really seen stories about us in America, at least where you had versions of our characters that weren't framed by violence.
In the movies I've done for Sony, they've never given me quadrant specific notes ever. They say "Keep making it. Just make the movie you want to do." Especially in a comedy because comedy is so tone specific.
I try to employ a different strategy for each story. Often, I'll have a specific look in mind before I even have the story to go with it. I'm not so much interested in forcing the issue of reader identification through various graphic tricks. I'm more interested in creating specific characters that resonate with my own particular inner struggles.
I could make Halo. It’s not that I couldn’t design that game. It’s just that I choose not to. One thing about my game design is that I never try to look for what people want and then try to make that game design. I always try to create new experiences that are fun to play.
I usually try not to think about actors while writing, because the odds of those stars aligning and you getting those specific people are so rare.
With 'Mask,' 'Smooth Talk' and 'Blue Velvet,' I loved the specific experiences so much. Each one was a specific filmmaker with a specific vision.
I don't want to be Marilyn Monroe. In many ways, that's a good comparison. Because Marilyn Monroe was a sexpot, all that stuff that I have no interest in. For me, it's much easier to just try to make people laugh than to try to be the hottest thing in the world.