A Quote by Jiang Wen

I turned to historical films because they pass censors more easily. — © Jiang Wen
I turned to historical films because they pass censors more easily.
Censors will try to censor a little bit more each year (because, like editors and other officious people, censors don't feel they are getting anywhere unless they are up and doing).
I love to do the things the censors won't pass.
I took in a breath. "What's the one thing you'd do," I asked. "if you could do anything?" Pass," he said. For a second I was sure I'd heard wrong. "What?" He cleared his throat. "I said, I pass." Why?" He turned his head and looked at me. "Because." Because why?" Because I just do.
I'm pretty fortunate that I'm in the films I'm in largely because the directors have asked me to be in them. I'd love to do more of them, but the writing and historical stuff I'll probably always do.
I turned down 'American Gigolo.' There are many films - like 'Ghostbusters' - that I turned down... The first one I did was 'Foul Play' with Goldie Hawn, but I turned down 'Animal House' - I turned that down.
The only thing I do worry about is that the more films I do the more visible I am going to become as a personality because of press and because of the sheer quantity of films.
The United States and Turkey are the only two countries that don't have some kind of subsidy for the Arts. The whole culture in society has made certain films more acceptable. I turned down so many films in the '60s and '70s.
Hillary [Clinton] has the potential to do a whole lot more damage, get us into more wars, faster to pass her fracking disastrous climate program, much more easily than Donald Trump could do his.
I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
I must be honest and say that I was under the fascination of films. I was fascinated by all films, even the words of them. If I was to do a more-precise analysis of the situation, I have to admit that I was more entertained by the bad films than the good ones. Because when something is beautiful, it is there; it is finished; it is done. It doesn't have to be touched or be worked upon.
All my films have turned out well only because of the director's brilliance, not because of me.
The recognition factor is so much higher when I'm a redhead, so when I'm a blonde I can pass under the radar a lot more easily.
I can't watch horror films because I am easily scared.
Actually, the only thing I regret is not making more underground films and bringing them with me as historical documents.
I like going back in time and writing historical fantasy. I use some real historical characters as a background to give depth to the fantasy. And I throw my fictional characters into the midst of this, and, so far, it has turned out interesting.
I love watching horror films because I don't get scared easily.
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