A Quote by J.I.D

Initially, I wanted to be a writer for other people. 'Hereditary,' I was writing it from a woman's perspective. — © J.I.D
Initially, I wanted to be a writer for other people. 'Hereditary,' I was writing it from a woman's perspective.
The idea of hereditary legislators is as inconsistent as that of hereditary judges, or hereditary juries; and as absurd as an hereditary mathematician, or an hereditary wise man; and as ridiculous as an hereditary poet-laureat.
As far as working with Kanye and Solange, that was amazing. After 'Swing Lo Magellan', I needed a change. Getting to work in that capacity, writing for other people and working for other people as a writer and as a person who's not representing it as the front person or whatever - it's such a different perspective you can get.
I was someone who wanted to be a writer but who wasn't writing. I was someone buying books on writing. I was someone telling people that I was writer. But I was not writing.
I wrote my book 'The Amorous Busboy Of Decatur Avenue' completely like a writer does, writing it down, re-writing everything. But in my stand-up, I improvise initially, never questioning it too closely.
Writing happened to me. I didn't decide to start writing or to be a writer. I never wanted to be a writer.
I never wanted to be a writer initially. It was not my thing, but I was an avid reader.
I wasn't a frustrated writer who really wanted to act or a frustrated writer who really wanted to direct. I was really happy writing screenplays, and there's a lot of people who just do that - they're screenwriters.
If you're a woman writer, sometime, somewhere, you will be asked: Do you think of yourself as a writer first, or as a woman first? Look out. Whoever asks this hates and fears both writing and women.
All I've wanted to do is write. In school I just wanted to be a writer but I was afraid to be a writer because I felt I couldn't. It didn't really feel like my writing was interesting enough, so getting a book published was a huge kick.
Writing from a teen's perspective is easy as pie. At least I've actually been a teen. I've never been a woman, or an ethnic minority, or a weary old man. If anything, writing from the perspective of a child is probably easier for me. When I was a kid everyone thought I was so clever and precocious. Now that I'm adult, everyone thinks that I'm kinda odd and childish.
I disliked people calling me a chocolate hero initially, as I wanted to explore other genres of acting.
I read the script first to get the perspective on the whole story, the writing, and how the character I'm auditioning for is talked about by other people or relates to other people; from there, I go into the sides.
I wake up every day super excited to be a woman! It's amazing. I wouldn't have it any other way. There's an incredible diversity of people writing comics right now. As a writer, there are a lot of parts that I was thinking about in terms of the specific experience of being a woman superhero and what that means - the kind of pressures that are on strong women, and how women are able to feel strong in a public world.
Along with a lot of other things, becoming a Bob Dylan fan made me a writer. I was never interested in figuring out what the songs meant. I was interested in figuring out my response to them, and other people's responses. I wanted to get closer to the music than I could by listening to it - I wanted to get inside of it, behind it, and writing about it through it, inside of it, behind it, was my way of doing that.
When 'If God Was a Banker' became a success, it changed my entire perspective. I wanted to write more and wanted to be lot more successful as a writer.
Black folk have been 'the other' in shows and movies and in life for quite a long time. Not from our perspective, we're not 'the other,' but from other people's perspective we have been 'the other.'
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