A Quote by J.I.D
I don't try to make one thing. I really try to experiment, even if its just the vocals or the beat. I can't really describe my sound.
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For me, I don't really feel like I have any particular main influences or artists that I pull from; it's more of an underlying effect of such a big range of music that I love and I identify with - and all of that plays into what I do in minimal ways. I just really try to make music that reflects my identify, which is hard to pin down and is a lot of different things. I strive to make music that is hard to describe and meshes a lot of different genres, with the vocals being the thing that ties it all together.
Oh man, I love what the South brings as far as the soul, and I really have noticed from even the early days of listening to OutKast and Goodie Mob that Atlanta and the South has a diverse sound to it. You have bounce music. You have soulful musicians. You have artists with vocals who try to do different things.
I don't really approach stories to make them different from other stuff I've seen, I just try to get into the character, into his or her head. Try to make it as funny, as scary or as wild as I can so that I really like it.
I make work that tries to sort of connect with something really, really familiar. I don't try to make work that's original. I try to make work that's quintessential. That's what I mean about the familiar. It operates with stuff that people already know or information that they already have and I try to just use that. Quintessential means like the perfect minimalist sculptor.
We always try to make every song we do sound like a track. It's vocal, but we want it to be really full so no one really can even know if it's a cappella. It's not like it's missing anything, per se.
I try to be vegan... I really, really try. I don't eat any red meat, and the whole animal thing really upsets me, so I've tried.
After 20 years of racing career the most important lessons I learned is that you need to have the passion and really love to ride your bike every day at the highest level. Also, for me personally, my goal was to always try to beat another generation, to try to beat the sport again. Trying to develop myself even when I was 37 years old.
I try not to force my sound on everybody. I try to yield unto each artist and... I try to just support that sound rather than force a sound that might not fit.
The key for hipsters is that they usually try really hard, but the important thing is they want to come across like they don't try. To make it look effortless. I don't mind. It really fits New York, the hipster look.
I really do just try to tune as much out as I can and make things that I think just sound good to me.
I try to exercise when I'm on road - I really do try - but I also try not to push myself too hard. I just try to move.
For a lot of people, 'Dungeons & Dragons' has been a hard thing to describe. I can't tell you how many social environments I've been in where I say, 'I play 'D&D,'' and a bunch of normies will be like, 'How does the game even work? What's that like?' I didn't have anything to really describe it that didn't make me sound like a crazy person.
There's really no difference between what I do and what a male filmmaker might do. I mean we all try to make our days, we all try to give the best performances we can, we try to make our budget, we try to make the best movie we possibly can.
I used to try and make up visually for what I couldn't play as a musician. I used to get into very incredible visual things where, in order just to make one chord more lethal, I'd make it a really lethal looking thing, whereas really it's just going to be picked normally.
I purposely try to make my music cinematic. I try to inspire visuals even though I'm only an instrument of sound.
I love doing emotional scenes. As I've had a perfect life, I don't really have much to pull from. But it's really fun and not that challenging. It's almost pretty easy. The hardest thing is to try and make people laugh. That's a really hard thing.
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