A Quote by Jiddu Krishnamurti

A lily or a rose never pretends, and its beauty is that it is what it is. — © Jiddu Krishnamurti
A lily or a rose never pretends, and its beauty is that it is what it is.
The rose is the flower and handmaiden of love - the lily, her fair associate, is the emblem of beauty and purity.
O lovely lily clean, O lily springing green, O lily bursting white, Dear lily of delight, Spring in my heart agen That I may flower to men.
Because the regime is captive to its own lies, it must falsify everything. It falsifies the past. It falsifies the present, and it falsifies the future. It falsifies statistics. It pretends not to possess an omnipotent and unprincipled police apparatus. It pretends to respect human rights. It pretends to prosecute no one. It pretends to fear nothing. It pretends to pretend nothing.
The splendor of the rose and the whiteness of the lily do not rob the little violet of it’s scent nor the daisy of its simple charm. If every tiny flower wanted to be a rose, spring would lose its loveliness.
There is no evolving, only unfolding. The lily is in the bit of dust which is its beginning, lily and nothing but lily: and the lily in blossom is a ne plus ultra: there is no evolving beyond.
Hope is like a harebell, trembling from its birth,Love is like a rose, the joy of all the earth,Faith is like a lily, lifted high and white,Love is like a lovely rose, the world's delight.Harebells and sweet lilies show a thornless growth,But the rose with all its thorns excels them both.
The modest Rose puts forth a thorn,The humble sheep a threat'ning horn:While the Lily white shall in love delight,Nor a thorn nor a threat stain her beauty bright.
It may be that which we call a rose by any other name would smell as sweet,' but I should be loath to see a rose on a maiden's breast substituted by a flower, however beautiful and fragrant it might be, that is went by the name of the skunk lily.
The ladies of St. James's! They're painted to the eyes; Their white is stays for ever, Their red it never dies; But Phyllida, my Phillida! Her colour comes and goes; It trembles to a lily,-- It wavers to a rose.
Lily slumped, putting her shaking hands on his shoulders. "But you will, won't you?" Pansy's voice broke into a sob. "Yes, Pan," Galen said quietly. "I don't like that," Pansy said. Galen stood and put his arms around the fine-boned girl, while Rose continued to comfort Lily. Oliver looked away. It was such a private moment; he hated to intrude on it. Galen was beloved by all of the sisters, but the love between him and Rose was so clear and shining that it hurt to look at them, spending their last hours together caring for the other girls.
Now the autumn shudders In the rose's root. Far and wide the ladders Lean among the fruit. Now the autumn clambers Up the trellised frame, And the rose remembers The dust from which it came. Brighter than the blossom On the rose's bough Sits the wizened orange, Bitter berry now; Beauty never slumbers; All is in her name; But the rose remembers The dust from which it came.
The fountain of love is the rose and the lily, the sun and the dove.
The rose is a rose, And was always a rose. But the theory now goes That the apple's a rose, And the pear is, and so's The plum, I suppose. The dear only knows What will next prove a rose. You, of course, are a rose - But were always a rose.
The lily and the rose in her fair face striving for precedence.
The daisy is fair, the day-lily rare, The bud o' the rose as sweet as it's bonnie.
The artist draws a picture of a rose very nicely with all attention and artistic sense, and yet it does not become as perfect as the real rose. If that is the real fact, how can we say that the real rose has taken its shape without Intelligence behind the beauty?
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