A Quote by Jidenna

Every single place that's brushed upon me has made me the artist that I am - from Nigerian Highlife music and the vocal melodies that I grew up on when I would be sitting with my father and his fellow chiefs, to the funk and freeness of the Bay Area groove, to L.A.'s smooth G-funk legacy, Brooklyn's lyricism, and now Atlanta's trap history.
Funk could very easily be called jazz, but you call it funk. Does that really matter? People dig that they associate themselves with certain genres, but the genres to me are made up things, like an imaginary world.
I grew up listening to a lot of emo music, a lot of rock music, a lot of rap music, a lot of trap music, funk, everything.
The bottom line with a lot of bands that funk is being applied to is that they don't really listen to funk and aren't versed in funk. Like, you know, Gordon Lightfoot.
I like the New York style of funk, the California style of funk, but the South I never felt like - and Atlanta particularly - got the credit for taking their lessons and progressing on it.
I'm the renegade of funk. I've made house, techno, rock, funk, reggae... That's why I've been on so many different labels.
Every problem seems like a mountain to me, and when I'm fit, I feel like I can conquer anything. When the opposite happens, I go into a funk. A real, real funk.
I love funk! That's the music I grew up on.
My tastes range all over the place, from vocal standards to Motown to 70s funk & soul to 80s pop to film scores to artists like R.E.M., Ben Folds, Prince, Annie Lennox, the Police, Elvis Costello, Cat Stevens, the Ditty Bops, local bands that friends of mine are in, and the list goes on... I have no single favorite genre or artist.
I was exposed to Grace Jones and highlife music at a young age. I would sing along and as I grew up, music was the only thing that felt like a safe haven for me.
My policy has always been to play new music. New beat, industrial, techno, disco, funk, rare groove and house music.
I stand humbled on bended knee but, of course, the response to that would be 'Duh!' And to be given that incredible honor means that I represent the piss and vinegar, the energy, the defiance, the musicality of the Funk Brothers and Motown and Mitch Ryder and Bob Seger, Brownsville Station and Grand Funk Railroad and Eminem and Jack White and Kid Rock - are you kidding me?
Funk, I don't think I have anything to do with funk. I've never considered myself funky.
When I leave a room, it's gonna be footprints of funk wherever I stepped, because I'm a soul-funk crusader.
The Harbor Area is everything - Carson, Wilmington, San Pedro, Long Beach, that whole little bubble that I grew up in. I always throw it up after I finish fighting, I always throw up the Harbor Area. Out of pride. It made me who I am. It brought me my goods; it brought me my bads. It molded me into who I am.
That's how we grew up - kinda like Pops would put his drums, his percussion and instruments into the car and we would just go to a facility in the Bay Area and he would say to us, 'You think we have it bad? There are people worse off than we are. Let's go give back to the kids.' And that's how we grew up.
I am in love with old school funk and soul music. That's what I grew up listening to, and I want to bring that style back with my music. I love artists like Stevie Wonder, Donna Summer, Aretha Franklin, Michael Jackson, Earth, Wind, & Fire, Bruno Mars, Justin Timberlake, and more!
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