A Quote by Jidenna

I've gone down several paths. I started school as an engineer, but underneath it all, I knew I wanted to use instruments, not build them. — © Jidenna
I've gone down several paths. I started school as an engineer, but underneath it all, I knew I wanted to use instruments, not build them.
I would have loved the opportunity to have gone to drama school, but it just didn't work out for me; there are always several paths, and there's a reason why I've been down this path.
I knew what real instruments I wanted and, in some cases, who I wanted to play them. I had started listening to a lot of ambient music and jazz and I wanted to incorporate stuff like that, too.
I could have gone to a bigger school. I use it as motivation going to a school that loved me. I wanted to put them on the map and show everyone that you don't need to go to a top school to make it in the NBA.
Why should a financial engineer be paid four, four times... to a hundred times more than the, uh... real engineer? A real engineer build bridges, a financial engineer build, build dreams. And when those dream turn out to be nightmares, other people pay for it.
Wardruna is a combination of old and new. I use historical instruments and new and electronic instruments and tools. I use drones and samples to build these huge sounds. Sometimes just a sound can trigger words or melodies. I don't have a romantic notion about the past; with Wardruna I wanted to create something new using something old.
I started acting when I was really young. I knew I wanted to be in the industry in other ways. I knew that I wanted to do more than just act. I don't know that I knew it was screenwriting, but I just knew that I wanted to be involved.
I knew I wanted to be an engineer, but I didn't know what type of engineer. I chose electrical engineering primarily because it was the hardest one to get into. It's ridiculous when I think about it now, but it worked out OK.
For a long time in the 1970s, I was experimenting to build musical instruments and use them. I did a lot of ethnic music studies and other things, like electronic music. Making homemade musical instruments and performing was my major activity from the time.
When I was a little girl, I wanted to be a civil engineer. No joke. I would come home from school and build bridges out of toothpicks and see how much weight they would hold before falling.
Stories open up new paths, sometimes send us back to old ones, and close off still others. Telling and listening to stories we too imaginatively walk down those paths - paths of longing, paths of hope, paths of desperation.
Our focus in the client group had always been to build products and features that people wanted to use. That we wanted to use. That our moms wanted to use.
As a kid, I used to dream about airplanes before I ever flew in one. I really knew, when I started photographing, I wanted it to be a way of knowing different cultures, not just in other countries but in this country, too, and I knew I wanted to enter other lives. I knew I wanted to be a voyeur.
When I decided that I wanted to go to college, I wanted to be a school teacher for 7th and 8th grade boys because I felt that was an important time for them. I had gone astray at that point in my life and really wanted to help keep them from making the same mistake I had made.
I always wanted to do films. I'd gone to New York early in 1976 and did a lot of theater, but I really wanted to chase the paths of people like Pacino and Lemmon and those guys. Alan Arkin. Film was where I wanted to go.
Arms are instruments of ill omen, not the instruments of the gentleman. When one is compelled to use them, it is best to do so without relish.
When I was 5 or 6 years old, I never wanted toys; I wanted electrical parts so I could build things. And I was better at taking things apart and putting them back together, but I always had extra pieces left over, so I think it was an early warning that I was a better designer than an engineer.
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