A Quote by Jill Abramson

I have an older sister who sounds, unfortunately, exactly like me, and we sound like our mother did. — © Jill Abramson
I have an older sister who sounds, unfortunately, exactly like me, and we sound like our mother did.
I have an older brother and older sister. My older sister is the girliest girl on the planet, so I just hated everything about that. I did anything my brother did. He actually got me into wrestling. I watched it because he did, and I played video games because he did.
I have a lot of my mother in me, but I was just born with the same parts as my father. I don't sound like him. I mean, I can do an impression of him right now, and I do not sound like him. I sound like me. My sense of rhythm I learned from my mother. My melodies, I think sometimes, I get from my mother.
If you record the sound of bacon in a frying pan and play it back, it sounds like the pops and cracks on an old 33 1/3 recording. Almost exactly like that. You could substitute it for that sound.
I hate my jaw. I don't know if it's my dad's - I think I'm more like my mother, my littlest sister looks exactly like my dad and my middle sister is a mixture of the two.
My mother handed me my sister and turned on the television. My sister's fingers wrapped around my earlobes, and she squeezed and made a sort-of laughing sound. Her smile could fill the room. When I held her like that, I felt important, like I wasn't just a brother but something more necessary.
It's still a mystery to me, but even though my mother was like an older sister to me, I kind of put her up on a pedestal.
Many people say to me, particularly about my dance writing, 'It sounds just like you.' But it sounds just like me after I've made it sound like me.
Nayeon always makes me laugh, and she is so funny when we are together. She is older than me, and she really is like an older sister. She cares about me a lot, and always gives me advice on my problems. She is an awesome sister!
There's a marvelous sense of mastery that comes with writing a sentence that sounds exactly as you want it to. It's like trying to write a song, making tiny tweaks, reading it out loud, shifting things to make it sound a certain way... Sometimes it feels like digging out of a hole, but sometimes it feels like flying. When it's working and the rhythm's there, it does feel like magic to me.
I was raised primarily by women. I had a mother who almost killed herself to survive, I had a sister who was eight years older who was like a second mother, and my mother had two sisters. In the environment I grew up in, I heard a lot of female perspectives.
I think I prefer singing in falsetto. I like the way it sounds. It doesn't sound like my natural voice. It sounds like a character.
I was the youngest of six kids, and my brothers and sisters were kind of a lot older than me. And the one sister that was, like, in a close age range - she was five years older than me. She was my closest sister in age, and she was a loser.
My sister was three years older than me, and she was like the stone-cold '70s fox. I looked like a short Polish farm woman, and so our journals were wildly different.
I like loud electric guitars because I like how you can just lose your entire being in the sound. But I can't find myself in a situation where our band Swans is doing typical chord progressions - it just seems cliché to me. Even changing chords sounds like a cliché sometimes, though it happens occasionally in our music. But you find ways to push yourself into the sound through repetition. It doesn't stay the same. It morphs constantly.
I like [George] Benson because I just like it. I like that kind of style. I don't like the broken up kind of style. I don't like where you play for 16 bars and then break it up into what somebody's version of what birds twittering sounds like, or what the sound of the city is, or what New York sounds like.
So we dream on. Thus we invent our lives. We give ourselves a sainted mother, we make our father a hero; and someone’s older brother and someone’s older sister – they become our heroes too. We invent what we love and what we fear. There is always a brave lost brother – and a little lost sister, too. We dream on and on: the best hotel, the perfect family, the resort life. And our dreams escape us almost as vividly as we can imagine them.
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