A Quote by Jill Clayburgh

Well, this would be nice if it worked out, but I'm not selling the farm. — © Jill Clayburgh
Well, this would be nice if it worked out, but I'm not selling the farm.
Selling out is a myth. Bill Gates isn't selling out, is he? Richard Branson isn't selling out. Why can't black people make money?
People don't understand what term "selling out" means. To me selling out means if I were to stop doing this and go work for McDonald's then I would sell out.
All I've got to say is if I'm a sellout, I'm selling out arenas all over the world, and I'd rather be selling out arenas than selling out of my trunk on the corner of my block.
I do voiceovers, but being on-camera and selling something? I wasn't really interested. And then I thought, well, wait a minute. Everybody's selling something. When you turn on the tube... And then if you go to Europe or Asia, everyone is selling something. All the guys that don't want to be seen selling something here are selling something there. So I thought what the hell?
I remember Farooque Sahab would bring volumes of nice food on set for the whole unit. Not just that, he would send sackfuls of mangoes from his farm in Gujarat.
I was a caddy. I also worked as a bouncer, selling Christmas trees at Frank's Nursery and before that, selling what they normally sell.
It's hard not to sell out because once, you know, I grew up with working-class parents who definitely, definitely would be disappointed if I didn't take particular jobs being like, "What are you talking about? I would have worked years for that money in like, actual physical labor." So there's a privilege to not selling out. You already have to be in a position where you can look at that money and not care about it.
I used to work selling ice lollies and sweets on the road. I worked at a car wash as well.
I'm tired and it's taking an increasing amount out of me, more than I have to give physically. And that's why I want to move to Sicily and buy that little farm and raise a flock of goats and geese. I find it peaceful ... and it would be a nice way to end life.
Well, I needed the work - that's the honest answer. I haven't worked for a while, a couple of years. So I thought it would be nice to get back to work and earn some money.
Sometimes you fall out of love with what you do. Some days, you wake up and wish you worked on a farm.
I was 46 when 'Cold Mountain' came out. I was settled. We had a nice house in Raleigh and a horse farm.
I worked out what would make me happy, and I worked out what I wanted to do, and I trained myself to do the job that would make those two things happen
As a young girl, I plowed the fields of our family farm. I worked construction with my dad. To save for college, I worked the morning biscuit line at Hardees.
It's best not to think about winning or losing trades anyway, because the best ones work out for both teams. But, as a rule, if you're the team that's selling - if you're out of it, and you're trading with a team that's in it - you usually have the pick of just about their whole farm system, with a few exclusions.
Looking good kept me out of trouble. When I worked for Michael Alig, everybody was overdoing partying. It would take me so long to get ready, because I was never one of those girls that were naturally the cover of Vogue. I had to really work hard to look nice. I would take hours and hours to get ready. If you have high heels on, if you're dressed nice, you really can't be drunk or sloppy because it's dangerous. It's part of being a lady, so it really kept me out of trouble.
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