A Quote by Jill Kargman

I wanted to make a late-night-type show that happened to be in the morning for moms. Bravo was more interested in a blend of my books 'Momzillas' and 'Sometimes I Feel Like a Nut,' which is a collection of nonfiction essays.
I always was an early-morning or late-night writer. Early morning was my favorite; late night was because you had a deadline. And at four in the morning, you make up some of your most absurd jokes.
You know, I always was an early morning or late night writer. Early morning was my favorite; late night was because you had a deadline. And at four in the morning you make up some of your most absurd jokes.
In late 2004, I left my much-maligned home state of New Jersey for the supposedly greener pastures of Astoria, Queens. I'd finally be in the mix, living off the subway line, able to go from audition to audition during the day and from late night show to late night show in the wee hours of the morning.
I have three libraries. As a gift, a friend alphabetized and organized my main library of novels, history books, and nonfiction. Then I have a photo-book collection. Then there's this nearly whole room of my childhood books. I've also got cookbooks and a big collection of horse-related books.
Vegas is definitely a new challenge, but I wanted to be able to put on a different type of show. You get to do so much more when you don't have to put your stage in trucks after the show every night - we got to build a venue specifically for my show. It's going to be more like a party than a typical concert.
I've done the best I can with the morning show. I made it a morning show. We have the coffee cup, you have the morning papers, you know, it's got that feel to it, that's what I wanted.
I feel my shows are like a late-night talk show that we settle down and do every night.
I never wanted to be in the late-night talk show wars, and I think somehow with 'Totally Biased,' I got caught up in all that. Suddenly, there are articles about how we finally have a black voice in late-night.
I've heard that some authors do dream their books and I would love that if it happened to me, but so far it hasn't. Sometimes I'll get a good idea during the night and if I don't write it down, I won't remember it the next morning.
I wanted to be like the heroes of the books I read. That's why I wanted to go to the jungle. I wasn't interested in danger from the adrenaline aspect, I was more interested in the romance.
When you're researching things that have happened, the clear narrative arc is not there already. This is the problem of writing nonfiction for me - writing nonfiction which is about serious subjects and has serious political and social points to make, yet which is meant to be popular to a degree - what happens when the facts don't fit a convenient narrative arc? I guess that for a lot of nonfiction writers that is a central challenge.
I could have a one-night stand, and I'm the kind of girl who looks over in the morning and is like, Do you really have to be here? I don't need to cuddle and do all that stuff because I know what it is and I don't try to make it more. I feel like a lot of women try to make it into more, so they don't feel so bad about just wanting to have sex.
I wanted to create an environment in which more than just personal essays could be represented, and in which stranger approaches to making essays could be celebrated.
There is no night life in Spain. They stay up late but they get up late. That is not night life. That is delaying the day. Night life is when you get up with a hangover in the morning. Night life is when everybody says what the hell and you do not remember who paid the bill. Night life goes round and round and you look at the wall to make it stop. Night life comes out of a bottle and goes into a jar. If you think how much are the drinks it is not night life.
Nonfiction narratives are really powerful and valid in themselves. But one thing that you don't get sometimes from the more clinical or academic books or nonfiction books is that you don't get to hear the person's voice; you don't get them as individuals. You get a few quotes and you hear them as sort of a case study: numbers, examples, anecdotes, maybe a paragraph here, and that's about it.
I do a show. It comes on late at night on TV. And if that means I'm a late-night talk show host, then I guess I am, but in every other regard I resign my commission, I don't care for it.
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