A Quote by Jill Kargman

I get verbal diarrhea in the writers' room. I just tell everyone a million anecdotes and stories and craziness, and we all double up on the floor laughing. — © Jill Kargman
I get verbal diarrhea in the writers' room. I just tell everyone a million anecdotes and stories and craziness, and we all double up on the floor laughing.
There are a million ideas in a world of stories. Humans are storytelling animals. Everything's a story, everyone's got stories, we're perceiving stories, we're interested in stories. So to me, the big nut to crack is to how to tell a story, what's the right way to tell a particular story.
When I get home I'll still have to unload the dishwasher and clean my room. Last night my mom got so fed up of my messy floor in my room she picked it all up off the floor and put it on my bed so I would have to clean it up before I went to bed!
My critique of how we deal with drugs in society is just that - that we use these anecdotes to apply to everyone and the anecdotes are not representative.
You want to go to a place where you work every day, where you get to tell stories that look and feel like the audience in America that are watching. You're really limited, if you walk into a room and you can just tell stories about that. So, we've been really blessed.
I tell people all the time that producers, writers, and directors really don't know what they want until it walks into the room - you have to show them what they want. Everyone is rooting for you when you walk into the room. Everyone wants you to be good because it means their day is over!
Even if I say, Everyone in the village died of diarrhea, I still laugh a little after diarrhea.
TV is where writers get to tell interesting stories. Because writers, for the most part, run television.
We're writers. What do we do? We tell stories. We make up stories. We create art.
A man is like a two-story house. The first floor is equipped with an entrance and a living room. On the second floor is every family member's room. They enjoy listening to music and reading books. On the first underground floor is the ruin of people's memories. The room filled with darkness is the second underground floor.
I'd think the house was the source of great sadness or pressure. I knew it wasn't. I knew it was just where I lived. But I'd walk up the stairs and the second floor was just desolate. My old bedroom: empty. My old rehearsal room: empty. First floor studio: messy and empty. Middle room: broken gear everywhere.
It was a difficult but wonderful balance to go from big budget, big craziness, everyone's giant trailers, everyone's sushi lunches, to a $4 million movie.
Anecdotes don't make good stories. Generally I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
In the writers' room, the challenge is always to tell interesting stories in unexpected ways, so we try to never limit ourselves in how we accomplish that.
Stories were primarily verbal to begin with. Before there were cave paintings, stories were told over generations. We tell each other thousands of stories in the course of everyday life.
I've got to be out doing a million things. That's how I find stories. That's how I get the relationships and get the projects that I get with the writers, the directors.
Comedy is so subjective. You could be in a room with 400 people laughing at a joke and you could just not think it's funny. You're just sitting there like, 'Am I in the twilight zone? Why is everyone laughing?' It's such a personal thing. People have such a personal visceral response to comedy.
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