A Quote by Jill Magid

It is a misrepresentation to call my works fiction; the work loses something when categorized this way. I realize that the stories are somewhat unbelievable, but the fact that they do actually unfold in reality and leave evidence, that they play out in the "real" world, is important to the work. I am the protagonist of the story, but I am not in full control of it.
When I am writing political op-eds, I do think carefully about the impact of my words. When I am writing fiction, it's a different story. In my fiction I am more reckless. I don't care about the real world until I am done with the book.
Reality and fiction are really mixed up. The frontier between reality and fiction is tremendously porous and slippery. And in fact, when I remember something that has happened to me a long time ago, let's say twenty years ago, many times I'm not sure if I have actually lived what I am recalling, or I have dreamed about it, or I have written about it, or I have imagined it all.
My work is always based on reality. I'm not an artist that creates works of fiction. I'm not an artist who is in my studio inventing things out of my imagination - everything is based on reality, on real facts.
Writers imagine that they cull stories from the world. I'm beginning to believe that vanity makes them think so. That it's actually the other way around. Stories cull writers from the world. Stories reveal themselves to us. The public narrative, the private narrative - they colonize us. They commission us. They insist on being told. Fiction and nonfiction are only different techniques of story telling. For reasons that I don't fully understand, fiction dances out of me, and nonfiction is wrenched out by the aching, broken world I wake up to every morning.
Fundamentally, the way I work is exactly the same whether I'm making 'Whale Rider' or 'Mulan'. And those two stories are somewhat similar. They have interesting parallels, and it felt like I'd really come full circle, back to a story of leadership.
Maybe my work is somewhat divided into family stories, things I know intimately, and then everybody else in the world - the strangers who I am totally fascinated with.
When I go to work, I don't want to make depressing, gritty, urban stories that are depressing to watch. I want to give people something to enjoy. When people think I'm a control freak and an ogre - which I am - it's only because I want my work to be accessible and Everyman, in a way.
I wear yoga pants and get to work out all the time - it's my job. I feel a little bit different when I go into what I call 'the real world.' It's cool to be able to train as a full-time job, and it's something that I love and will continue to try to make work for the next however-many years.
It's unbelievable. I'm still trying to grasp the whole idea that I am an actually a Stanford Cardinal now. I'm actually representing an alumni that's network is around the world, and the people there are unbelievable.
I work hard every day to earn more minutes, but I am aware of where I am. I am at the best club in the world, and I am happy at Real Madrid.
In all great works of fiction, regardless of the grim reality they present, there is an affirmation of life against the transience of that life, an essential defiance. This affirmation lies in the way the author takes control of reality by retelling it in his own way, thus creating a new world. Every great work of art, I would declare pompously, is a celebration, an act of insubordination against the betrayals, horrors and infidelities of life. The perfection and beauty of form rebels against the ugliness and shabbiness of the subject matter.
Every call to worship is a call into the Real World.... I encounter such constant and widespread lying about reality each day and meet with such skilled and systematic distortion of the truth that I'm always in danger of losing my grip on reality. The reality, of course, is that God is sovereign and Christ is savior. The reality is that prayer is my mother tongue and the eucharist my basic food. The reality is that baptism, not Myers-Briggs, defines who I am.
I work incredibly hard - just like every other person in business and work. And aside from the fact of, yes, I am the brother of someone very important, I am, at the end of the day, just James.
I think the same way about theatre, you go out there and you are creating a world for a moment that can actually have a real impact on people, present some kind of story that gives you something to think about when you walk away, feeling enriched - if it works out well.
We all want something else other than what we have and don't realize what you got works. It works. It does work. You gotta work. Marriage is work. Marriage is a career. It's not an adventure.
The most important thing that I've figured out is that things work out the way they're supposed to. We try to have all this control and fashion things the way we want, but everything happens for a reason, and in the end it works out the way it's supposed to.
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