A Quote by Jill Scott
For a writer it's a dream to sit and watch people as close as possible.
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Most people dream a dream when they are asleep. But to be a writer, you have to dream while you are awake, intentionally. So I get up early in the morning, 4 o'clock, and I sit at my desk and what I do is just dream. After three or four hours, that's enough. In the afternoon, I run. The next day, the dream will continue.
I'm not invited to the Vanity Fair dinner where they watch the Oscars - or even the Oscars themselves - so I sit at home and watch it with a bunch of close friends.
I wasn't entitled to dream so big. The idea of me being a writer wasn't even possible in my mind. Even when I began to write and first published, I couldn't call myself a writer.
It’s the spirit here that counts. The time may be long, the vehicle may be strange or unexpected. But if the dream is held close to the heart, and imagination is applied to what there is close at hand, everything is still possible.
There is no Croatian dream. There is no European Union dream. There is no Chinese communist dream, except maybe to get out. But there is and always has been an American dream. And the dream is possible. The dream can become real.
Free countries are great, because you can actually sit in somebody else's space for a while and pretend you're a part of it. You can sit in the Plaza Hotel and you don't even have to live there. You can just sit and watch the people go by.
We didn't want to live anymore in the old logic. And I like that. The consequence of that is to create the dream of that, but we all know this dream may be not possible. So here we have the key of the ambiguity of the atmosphere of my films. Is it possible, this dream? Is it as funny as it seems, or is it tragic?
You have to dream intentionally. Most people dream a dream when they are asleep. But to be a writer, you have to dream while you are awake, intentionally.
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
When I was 40, I wrote my first book, The Pilgrimage, and I said to myself, "why did it take so long for me to write this book?" Because my dream, since I was 10 years old, was to be a writer. I said, I have to revisit my life using a metaphor, and the metaphor was basically this boy that has a dream and has to go far away to realize that his dream is close to him.
When James Bond presses the watch and the car explodes, the writer doesn't go into the science of it. One should leave it to the leap of faith. I have tried to explain as much as possible, and what I can't, I have left it to people's imagination.
Once rehearsals are done the writer really doesn't have a function on the set. If the script is stabilized, then the writer becomes a celebrity tourist visiting the set, trying not to get in the way. It's very good for the ego, to go visit a film set if you are the writer, because they give you a special chair, and tell you where you can sit to watch the monitor. They make you feel special, but at the same time, they make it perfectly plain that you are irrelevant!
People just don't sit down and watch shows live anymore. They DVR it. They stream it; they watch it on Netflix or iTunes.
Bullfights are hugely popular because you can sit comfortably with a hot dog and possibly watch a man die. It won't be me, but I can sit comfortably and watch it.
Bullfights are hugely popular because you can sit comfortably with a hot dog and possibly watch a man die. It wont be me, but I can sit comfortably and watch it.
It's so great to watch sports live. I think everyone should watch it up close once, if possible. I would like to see every sport live at least once to fully appreciate what's happening on the court or on the field or on the ice or whatever the playing surface may be.
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