A Quote by Jill Scott

When I write a song, I tap into the emotion and the feeling and then I use the emotion to write the words. It's the opposite when I act. I use the words and tap into the emotion. — © Jill Scott
When I write a song, I tap into the emotion and the feeling and then I use the emotion to write the words. It's the opposite when I act. I use the words and tap into the emotion.
Feeling of an emotion is a process that is distinct from having the emotion in the first place. So it helps to understand what is an emotion, what is a feeling, we need to understand what is an emotion.
The two important facts I should say, are emotion, and then words arising from emotion. I don't think you can write in an emotionless way. If you attempt it, the result is artificial. I don't like that kind of writing. I think that if a poem is really great, you should think of it as having written itself despite the author. It should flow.
I take my inspiration for the song writing from little experiences, not even if I've experienced them myself but say if something has made me sad, I will use that emotion. I just use everyday life and write about it.
The words we use don't matter as much as the emotion behind the words. When we understand this, we have the ability to influence, inspire, persuade and affect others.
There are many different styles of, and approaches to, tap. My own leans towards a more intellectual view: tap dancing not just for the sake of entertainment but to educate and spark emotion.
The only way of expressing emotion in the form of art is by finding an "objective correlative"; in other words, a set of objects, a situation, a chain of events which shall be the formula for that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked.
'The Warmth of the Sun' was a very beautiful song that Brian and I wrote in the time period associated with President Kennedy's assassination. We didn't write words about that, but it was around that time we recorded that song, and there's a lot of emotion involved there.
I feel like I can't write something that has a real emotion in it if I can't connect to that emotion.
All along, my mantra was: Don't write unless it contributes to the emotion, and do anything you do in service of the emotion only.
It's hard for me to always explain my songs, and people always expect a meaning and to know what it's about. Sometimes when I write these songs I'm feeling a particular emotion, so to then come back and explain what I was feeling or put it into words is quite difficult.
Emotion works against you. The less emotion, the more you use your brain and fight smart.
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I always know when a song is good or close to finished. When I sing it, it makes me feel the emotion. My tears will start flowing or I'll start laughing. I'll start feeling whatever intensity or emotion was the seed of that song.
Jesus, music has always been my first love. I use music in my work because it's the fastest way to an emotional place. You hear a song, and that memory comes right back-- you're there... Making music is immediate, and it's all about you. If you're playing guitar, the feeling comes through-- the way you bend the note, the intensity with which you hit the strings. With making films, although it's real emotion, it's false emotion. You're lying.
Expressing emotion is not so easy. He has to remind himself that English is not her first language. Expressing emotion can be difficult even when the words are familiar.
If you have just an emotion, you would not necessarily feel it. To feel an emotion, you need to represent in the brain in structures that are actually different from the structures that lead to the emotion, what is going on in the organs when you're having the emotion.
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