A Quote by Jill Scott

When I sing, I have to live in that moment, so my audience can feel that. That is my reason for doing art. — © Jill Scott
When I sing, I have to live in that moment, so my audience can feel that. That is my reason for doing art.
You always feel like rock critics are frustrated musicians. I envy musicians their ability to live their art and share it with an audience, in the moment.
The reason that you dance and sing is to make the audience feel like they're dancing and singing. As long as you're having fun with it and giving it 100 percent, they're gonna feel that.
What I've discovered is that in art, as in music, there's a lot of truth-and then there's a lie. The artist is essentially creating his work to make this lie a truth, but he slides it in amongst all the others. The tiny little lie is the moment I live for, my moment. It's the moment that the audience falls in love.
I feel that tennis is an art form that is capable of moving the players and the audience - at least a knowledgeable audience-in almost sensual ways. When I'm performing at my absolute best, I think that some of the euphoria I feel must be transmitted to the audience.
I like people to just bring it to the table and feel the moment. And that's why I've never done a session where I don't sing live.
I profoundly feel that the art of living is the art of giving. You're fulfilled in the moment of giving, of doing something beyond yourself.
I do actually like performing to a live audience. I like the response. I do a lot of Doctor Who conventions now, and the reason that I do them is that there is a live audience I can get to directly.
For some reason, talking is easy for me. Practice does make perfect; I've been doing it for a while. Being out there in a high-pressure situation with a live audience and a live TV camera on you, it brings something out. It's very organic.
I live in Nashville, and I love to sing. When I'm on stage, I feel like a performer for sure. I know people are looking at me and taking pictures and singing along, and that part's wonderful, but I do live in Nashville. I live the most boring life away from what you see me on camera doing.
I felt that, as time went on, an audience gets to know you and in a weird way, you kind of feel like you get to know the audience a little bit. When I'm doing stand-up gigs now, I feel like I'm doing gigs in front of people I know. I think that's the result of doing late-night shows for so long.
I still perform live primarily. I just keep traveling and doing live shows. The main difference in film, you know in your mind that you are doing it for posterity, you are doing for the eventual audience and it will be around forever.
I envy musicians their ability to live their art and share it with an audience, in the moment. From a filmmaker's standpoint, that's so rare and pure in a way that I'm sure is way more complicated than it appears.
I'm familiar to people. They feel comfortable with me. I started in live television. I perform live all the time. I sing with the piano. I sing with a symphony. I can sit and ask questions. I can listen. I'm very comfortable in most situations.
What good is it if a guy can sing real good but he sits on his ass and doesn't make anybody feel anything? I can connect with an audience every time I play. When I sing, they listen.
If you're not doing something right, you can feel it on stage, and if it isn't going well, the audience will tell you. A teacher can teach you sense memory and this and that, but until you get in front of an audience, you don't really feel it.
Every time I perform or sing, I have an 'ah ha' moment. When I look at my blog and people reach out to me anonymously and speak of how I sing and how my music has touched them, it's an 'ah ha' moment. I'm constantly getting that, and I don't want that to ever stop, because it's reassuring me that I'm doing something right.
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