A Quote by Jill Scott

When I get onstage, I automatically feel beautiful. — © Jill Scott
When I get onstage, I automatically feel beautiful.
Being in a recording studio is a very different feel from performing onstage. I mean, obviously, you can't just go in and do what you would do onstage. It reads differently.
People are always quick to judge SPW because of the fact that I wear heels. For me, I just have no choice. This is just how I feel beautiful and how I feel awesome. I would just be so uncomfortable onstage if I was wearing something else.
You can do stuff onstage that you can't do offstage. You can be angry as hell and enraged and get away with it onstage, but not off.
When you're onstage, it's important to try and feel some type of therapy in getting the material out, because then you don't leave the stage so tired. If you're onstage and you're doing the same routine over and over, then it gets monotonous. You want to be able to try to get to the truth constantly, and I think the more you do that, the easier it is.
You get onstage and make other people feel happy. Make them feel good.
Beautiful jewelry, a beautiful room - that's what museums are - a beautiful painting, a beautiful face, it makes you feel good to look at, and that's a beautiful thing.
You don't realize how much you miss it until you get back onstage and feel that buzz.
My big thing is to get onstage sober. Whatever happens from there happens. But you get onstage drunk and it's not going to be good. It takes a while. I have to sing a lot, so I can only drink so much. So most nights it's fine; even if I drink as much as I possibly can, I can't get that drunk.
I think your posing and your onstage presentation is yet another piece of the craft. So anytime you get onstage to show the muscles and show the finished work, that should be looked at with the same kind of respect and appreciation. I'm glad everybody else appreciates it, but I still want to get better.
I know a lot of people who really aren't beautiful because their attitudes are very nasty... Whether I make the 50 most beautiful list or not, I'm always going to feel like I'm number one most beautiful to myself... I get that from my mom, and my daddy and my friends who raised me.
Onstage, I enjoy the thrill of live performance - there is no substitute for that rush. On camera I enjoy the crafting of a scene, the widespread creative marksmanship happening all around you for every second of footage. Onstage you can suddenly feel solitary, like it's all on your shoulders, while on camera you feel like there are so many people working with you on every shot. Those are each unique and gratifying challenges.
When people asked me, "Do you get high to go onstage?" I could never understand the question. I mean, I'd been high since eight that morning. Going onstage had nothing to do with it.
Sometimes I think I'm more comfortable onstage than I am in my own room. When I get onstage, it's kind of like your chance to let go and be something that you're not maybe. It's your time to dream.
My solo music - I get up onstage, I improvise and it's my improvisation. When I get up onstage with Fred Frith and Mike Patton, then we're improvising together. Then it's not my music; it's our music.
I love my lecture tours. I get up onstage. I have my stack of books and a glass of water and a microphone. No podium, no distance between me and the audience, and I just talk to people and get all excited and tell a lot of jokes, and sing some songs, and read from my work and remind people how powerful they are and how beautiful they are.
Going onstage without my primary instrument is like being a guitarist and going up onstage with no guitar waiting for you. What do you do? That's why performance is painful for me, because I feel like I am always in a strange place with a bit of a handicap.
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