A Quote by Jill Shalvis

As for the military or service professionals, I have nothing but respect for them, but come on, when it comes to romance novels, we all know it's really about the uniforms and how the guys look in them!
My novels are in the literature section as opposed to the romance section of bookstores because they're not romance novels. If I tried to have them published as romances, they'd be rejected. I write dramatic fiction; a further sub-genre would classify them as love stories.
I've learned how to look at things and not judge them, but respect them and use it in a way that people understand that I respect them, show them love and respect their reality.
Look at guys like Tom Brady and Aaron Rodgers. Those guys have great arms, but people talk about them more as a quarterbacks and the intellectual side of the game and how they really dissect defenses - and then the arm is something else that helps them with that.
I consider the Diaz brothers friends. They're like extended family, them being under Cesar and me being under Renzo, we've always had mutual respect. They're such respectful guys. People don't know that about them, but they really are.
I just really care about what people see. I want them to know that I'm working hard for this. The artists that I look up to like, you know, Michael, Prince, James Brown. You watch them and you understand that they're paying attention to the details of their art. And they care so much about what they're wearing, about how they're moving, about how they're making the audience feel. They're not phoning it in. They're going up there to murder anybody that performs after them or performs before them. That's what I've watched my whole life and admired.
There's been so many rivals, most of them Canadian guys like Rick Martel, Christian and Chris Benoit. Those guys were all ultimate professionals, every one of them.
I think when portraying someone that does exist in real life, there's an amount of respect and you want to do them justice. I don't really care what anybody says out there about what I did in the film; I care what these guys thought about what I did. If I'm making them happy, then I know I'm on the right track.
There are guys that you look at and you want to really bowl at them or bat against them, certain guys who really get your juices flowing.
Being passed up by teams because of my size made me hungry. I've seen a lot of first-round guys who come in and never really do nothing because they may not appreciate the opportunity because everything has been given to them. I think guys who come from the bottom understand how hard it is, so they appreciate the opportunities more.
Honestly, when I'm out there, I really don't even think about them as guys with names. I look at them as numbers.
I respect my competitors, you know, I get respect back from them. I respect people out there who pay for their tickets to come watch us compete. And I respect the reporters because they've got to come out here and tell a good story. That's what it is. It's just a cycle of respect.
You cannot trust 25 guys in a locker room to have the same respect and training as I do with a weapon. That I do understand. I've carried a gun for 10 years. I've carried them in the locker room, and nobody really knows about it. I know how to handle myself.
I knew nothing about the independent film industry. I didn't know much about the industry itself. All I knew was how to watch movies, how to enjoy them, how to hate them, how not to like them.
We have three kinds of guys on our team. We have guys that get it; they play good; they understand how to play winning football. We have some guys that are trying to get it, and they are working hard every day? We are supporting them, and we want the guys that have it to support them. Then we have some guys that don't get it and don't know that they don't get it. We are trying to replace them. We only have a couple left.
How abundantly do spiritual beings display the powers that belong to them! We look for them, but do not see them; we listen to, but do not hear them; yet they enter into all things, and there is nothing without them.
There are many people who get beat up, who suffer, who are victimized, and then they sit down to write and they write crap. How many of these graphic novels over the years are from really talented people? Most of them actually, if you look at them, are self-pitying confessionals about "poor me".
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