A Quote by Jill Sobule

I always did go against the singer-songwriter form. I think I've always had a lot of storytelling songs. — © Jill Sobule
I always did go against the singer-songwriter form. I think I've always had a lot of storytelling songs.
I think I come under the singer/songwriter badge. I've always written songs right from the very beginning. Because of my style of playing people tend of me more of a guitar player than a singer sometimes.
If there is one thing I think I have accomplished, it's that I always thought of myself as a very literal songwriter, and as I look at some of those older records, I don't hear it now the way I did when I was 20. I think it is undeniable that the songs have become more instantaneously descriptive and literal. I'd like the songs to be more storytelling, but also have the turns of phrase within them that would hopefully distance my writing from the pack. I feel like on those older records there are a lot of attempts at clever turns of phrase.
A lot of rappers don't have to go through what I had to go through as a singer. I was always in a bubble that they put me in, but I was always punching out. It was a tough line to walk.
I always wanted to be in this role, as a songwriter. In the Pumpkins, it was always impossible because Corgan would wake up and write five songs. He was so prolific, there wasn't a lot of room for anyone else.
Michael Jackson is an underappreciated songwriter and an underappreciated singer. I think the world only gives him the most recognition for his dancing. He was an awesome singer and an amazing songwriter.
You know, I've always said, I've never felt I was a particularly good singer, but I've always thought I had a great knack for picking hit songs.
I've managed to keep a lot of respect in radio because I write my own stuff. I've had a lot of success as a singer/songwriter. I think if you establish yourself that way, it is harder to throw you out with the bathwater.
I've always been a singer-songwriter - it started off with me and the guitar, just writing songs, they were very simple. When I got in the studio it took me probably three years to get where I am now - being open to experimenting with new songs, being comfortable with where the songs were headed. I'm happy with where they are because they feel very genuine and authentically who I am.
I have a lot of memos in my phone of songs; I've had dreams about a melody. It's always melody first as far as when stuff like that happens - I find that my melodic sense is my strongest asset as a songwriter.
I am not against songs in films. We come from an oral tradition of storytelling. I have grown up listening to epics in oral rendition and oral rendition always had music.
Cheating tends to come up a lot in my songs. Betrayal fascinates me. I think the fact that you can trust someone so much and then they go against that has always plagued my writing for some reason.
If somebody says 'singer-songwriter' to me, the first person I think of is James Taylor. There are plenty of modern singer-songwriters, but there is something about James Taylor that has always resonated with me.
I was raised by my father, who was a singer, songwriter, guitarist, and bass player. His brothers all did the same thing, so I was kind of always raised around the music.
I think with any songwriter the first 1,000 songs are always terrible.
America's a funny place. Every time I've come over it just feels absolutely gigantic and massive. I've always had good shows there, but I just go and come back, feeling like another singer/songwriter in a sea of thousands of singer/songwriters. I don't really know what "breaking it in America" is or means. I just focus on touring day-by-day, and show-by-show, and see where it goes.
The act of song writing and recording became one and the same to me; because I essentially recorded everything I did from the day I began trying to write songs. I've always had a lot to say. I'd always written poems.
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