A Quote by Jill Soloway
It's assumed that if you're a woman, you want to be the prettiest version of yourself. It always put me in a bad mood. It was like, "OK, I'm successful. I'm supposed to be happy. Well, why aren't I happy?" Part of the problem was that my looked-at-ness had become a priority over my art making. Over and over again it was like, "I don't have time for this. I want to work." I love writing. I don't love somebody putting false eyelashes on me.
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My mom used to tell me stories at night, read books to me - and I read 'em over and over and over again. And you know what I learned from that? I went back and looked at everything - Why do I like reading the same stories over and over and over again? What, was I some kind of nincompoop? No - the narrative gave me connection with my mom.
Nathan, how can you stand playing the same piece over and over again?" And Grandpa Nate answered, "Why don't you ask me how I can stand making love to the same woman over and over again?
The regular division of the plane into congruent figures evoking an association in the observer with a familiar natural object is one of these hobbies or problems...I have embarked on this geometric problem again and again over the years, trying to throw light on different aspects each time. I cannot imagine what my life would be like if this problem had never occurred to me; one might say that I am head over heels in love with it, and I still don't know why.
For 25 or 30 years I never had an assignment. These were all stories I wanted to do myself. So they were always about somebody I like, 'cause if I didn't like him, I just didn't do the story. And to have somebody else paying the bills for this tourism, to every corner of every stage, over and over again? Why, who wouldn't want a job like that?
Mainstream media has convinced people that black people aren't relatable. So when a Jewish person comes up to me and is all, 'Oh man, I love that one scene from Episode 3, I watch it over and over again,' I'm so happy. Because that's what I want.
I remember somebody had said to me "What're you doing with a movie like Boiler Room? It's all men and you're a woman. You should be making romantic comedies," or something like that. Boiler Room, for me, was a morality tale. I remember this interview where they said to me "Yeah, but all the characters are men," and I was like, "But I'm a girl, I like men!" It's not like there's nothing interesting to me just because a lot of characters in that movie happen to be male. Just because I'm a girl doesn't mean I only wanna make Must Love Dogs over and over again.
It's a taboo that comes back over and over, to suggest that women can feel divided - that you can love your child and want to do everything for it, and at the same time want to put it away from you and reclaim something of yourself.
Talking about someone who makes you happy actually makes you happy. Being happy makes you want to talk, to go over everything, to share it so you can remember it all over again.
Any time you're making a movie, all you want to do is reduce the variables of things that could possibly go wrong. I think that's why we work with the same people over and over again.
I believe that, your art is like a time capsule for where you were at, where your mentality was at, at that specific or that particular space in time. A lot of times people want the same thing over and over again; I'm not going to give you that, I'm just not. So, I want my fans to continue to grow with me and let's take this journey, because it ain't gon' never stop.
Either over neither, both over either/or, live-and-let-live over stand-or die, high spirits over low, energy over apathy, wit over dullness, jokes over homilies, good humor over jokes, good nature over bad, feeling over sentiment, truth over poetry, consciousness over explanations, tragedy over pathos, comedy over tragedy, entertainment over art, private over public, generosity over meanness, charity over murder, love over charity, irreplaceable over interchangeable, divergence over concurrence, principle over interest, people over principle.
Publishers just want you to write the same book over and over again. But why would I want to do that? It would be like putting on a threadbare dressing-gown day after day.
In America there's a tendency to write the same book over and over because that's what sells. So in a way, my success in America has come at the expense of what I do. I haven't sold out, and I haven't taken the popular road to writing a best-selling book. I've really bucked the system. So it was necessary for me not to go and find the easy fans, the ones who want something digestible and fast with a happy ending that they can read over and over again no matter how many different books it is. I had to find fans who really wanted to think. Worldwide they all have that in common.
Somebody's gonna give you A lesson in leavin' Somebody's gonna give you back What you've been givin' And I hope that I'm around To watch 'em knock you down It's like you to love'em and leave'em Just like you loved me and left me It's like you to do that sort of thing Over and over again You're a fool-hearted man.
It's the ultimate goal every day you wake up, to be happy. At the end of the week, you want to be happy. Happy in love, happy in work, happy in life, happy with yourself. It's pretty simple.
A lot of times I use live musicians, but I don't want it to have that live funky sound so I'll just take the best loop of a drum part and repeat it over and over and over again so that there's consistency and it feels a little bit more programmed. But I have a love/hate relationship with comping as well.
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