A Quote by Jill Soloway
I'd always have a sort of automatic urge to share what I'm doing with other people.
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I'm certainly not an expert and I imagine I'll spend my life figuring it out. What I do know, is that you can't take it all on yourself: find amazing people to collaborate with, build a team, and support other people doing the same. When you share your goals and ambitions with other people and they share with you, you exist in an energizing cycle of always creating new things with people that believe in you.
True independence means being free from the domination of your own internal automatic behaviors, not doing what you feel like when the urge strikes.
An animal is equipped for sustaining its life; its senses provide it with an automatic code of action, an automatic knowledge of what is good for it or evil... Man has no automatic code of survival. His particular distinction from all other living species is the necessity to act in the face of alternatives by means of volitional choice.
One of the fundamental demonstrations of our natural instinct to Bond with each other is a will to give. Rather than domination, our most basic urge is to reach out to another human being, even at a cost to ourselves. Giving to others-the urge to empathize, to be compassionate, and to help others altruistically-is not the exception to the rule, but our natural state of being. Our impulse to connect with each other has developed an automatic desire to do for others, even at personal cost. Altruism comes naturally to us. It is selfishness that is culturally conditioned and a sign of pathology.
It's a passion when you're doing it for other people and you're doing it for the people around you making the film and the people who are going to see the film, and the giving. When you start thinking about you doing it for some sort of self-gain, then I think it becomes an obsession. It becomes a negative experience.
There's something very noble about the bowling shoe. It has very little pretense, and it's kind of naughty. You have to share them with a bunch of other people, which is so kinky in a way that I like. What other shoes would you actively share with other people?
I went into academia thinking that there'd be constant reciprocity between my scholarship and my creative work but found that doing one always turned my mind into the sort of tool that was badly suited to doing the other.
I think the tools were always available, for decades and decades, to make your own film and be creative. I don't think people had to wait for YouTube to do this type of small project. YouTube, I think it's great. I have this idiotic satisfaction. And I think there's a bit of that in YouTube. You share, true, but it's centralized, and it's already sort of controlled. I'm more for something that's not a centralized medium. Like doing your own film and screening it yourself. You cannot control people doing that.
I've always worked with other people. As a musician, it's your role to basically share with other people.
Semi-automatic rifles, like semi-automatic handguns, have not traditionally been banned and are in common use by law-abiding citizens for self-defense in the home, hunting, and other lawful uses.
All my music is driven by an urge to connect with people, to share with them in the experience of being human - the good, the bad, and the ugly!
It's always been a subtext of our secular optimism that you solve the economic problem, and all other things sort of take care of themselves. Well, we seem to be doing well on the economic side - we are doing very well - and the other things are not solving - they're compounding.
Whatever people are doing, they're probably going to be doing it five years from now. You have your banker, your general store runner, the principal of the school, and things of that sort. It's nice to see that, and to get old with other people.
Acting is always sort of the same - like you want to be - you know you're pretending and you want to make it as real as you can. That's the similarity. The mediums other than that are completely different. I mean you know with camera work you're doing really small detailed work and you know if you do anything too big you've sort of failed. And with stage, especially with the play I'm doing right now, I'm doing a farce, and it's so over the top that you can't actually be too big. So it's just completely different.
The urge to save humanity is almost always a false front for the urge to rule.
[...] I suppose this was the first time I had ever felt an urge not to be. Never an urge to die, far less an urge to put an end to myself - simply an urge not to be. This disgusting, hostile and unlovely world was not made for me, nor I for it. It was alien to me and I to it.
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