A Quote by Jill Soloway

That was something that I learned from Alan Ball from “Six Feet Under." He didn”t really like to have too many pop culture references because they don”t really hold up after a few years.
'Six Feet Under,' for me, was college. Alan Ball and Alan Poul ran that show and really taught me what it meant to really run a show in a classic way.
People always say I write a lot of pop culture references. Can somebody please count the pop culture references in 'Firefly?' Because I don't know how to put this to you, but there was one. I referenced The Beatles in the pilot.
Probably I'm more of a fan of the literary references than the pop-culture references. But I do go to the pop-culture well quite frequently because people, I think, are sort of inherently ready to laugh at that. It's a free laugh almost. Usually, everybody gets it.
There's something retro about the pop culture references in the paintings, so I'd imagine it's not as much a pop culture reference as a pop art reference.
We kind of write pop songs, but we don't fit in the pop world. We're really bad at being pop stars and walking down red carpets. We've got our own little bubble, which we really like. We've learned to really like that.
I learned to live many years ago. Something really, really bad happened to me, something that changed my life in ways that, if I had my druthers, it would never have been changed at all. What I learned from it is that today seems to be the hardest lesson of all. I learned to love the journey, not the destination. I learned that it is not a dress rehearsal, and that today is the only guarantee you get. I learned to look at all the good in the world and to try to give some of it back because I believed in it completely and utterly.
My family can tell you I'm not really a guy that likes roller coasters. I don't like going on Ferris wheels. I've got a six-feet rule; I like my feet no more than five, six feet from the ground at all times.
Pop music is always great for keeping the energy up, but it can get really old, especially after eight hours, just because there aren't that many great pop songs.
I had so many offers after 'True Blood' for things that were someone in the same vein, but nowhere near Alan Ball's vision. Or something that was over-the-top and fantastical. And I've always wanted to play the regular, working-class mom, and I've never really had the chance to do that.
Casting is really weird. Honestly, when Alan Ruck's name came up - and I've worked with Alan before - I went, "Yes, he's perfect." He came in and read for us, which was really sweet of him because he didn't have to, and he nailed it in seconds. We knew exactly who we had. That stuff is really good and fun.
I'm twenty-nine, yes really, I'm from Aspen, Colorado, I'm six feet one, yes really, I've been at Quantico two years, yes I date guys, no I dress like this just because I like it, no I'm not married, no I don't currently have a boyfriend, and no I don't want to have dinner with you tonight.
I sat out a few years because I wasn't really sure what I wanted to do next. So many things were changing in music and in culture, so it seemed like a good time to step back.
What we're doing pop culturally is like burning the rain forest. The biodiversity of pop culture is really, really in danger.
I've taken up golf in the past five or six years, and most of the time there aren't too many people out there that can drive a ball further than I can.
It's hard to make a lot of pop culture references where there's no pop culture.
I take pop culture really seriously, I think it's really important, and the stuff that I make...I don't want it to be insubstantial, even if it's about something wacky, like sharpening pencils. I feel like I owe it to myself and I owe it to people who are really interested in pencils and I owe it to anybody to do my due diligence and give them something real.
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