A Quote by Jill Soloway

Independent filmmakers already have their heads around people on their couches watching their movies. — © Jill Soloway
Independent filmmakers already have their heads around people on their couches watching their movies.
You go to the movies to be transported. That's the responsibility of filmmakers and the people that hire the filmmakers - to try and find new dreams we can all share together.
I love indie movies. I think that independent cinema is where it's at and where a lot of trends begin. It's where new filmmakers are breaking through.
I think independent filmmakers, documentary filmmakers - they are journalists.
In Hitchcock's movies you can see the storyboards and that's cool. It's nice to see a filmmaker be that prepared. Most filmmakers today have their heads up their ass, they're not nearly that prepared. He obviously had a right to say this is what I want and this is how we're doing it, because he was ready. Some filmmakers show up on the set and they don't know what they're doing. So then everyone has ideas and that makes a bad situation too. Be a director who's completely in control and yet no one knows it.
When I was a kid, I was watching the movies my parents wanted to watch. I came from a working class family, not specifically educated, so we were watching popular movies. My dad liked cowboy movies, so we were watching cowboy movies. Some of them were amazing. It’s a genre of movie I like very much.
I grew up watching American movies. My favorite movies have always been American, since as long as I can remember. I always had this huge respect for American filmmakers and American actors.
I overcame all the casting couches and stood out strongly as an independent woman.
People always ask why I don't make independent movies. I do make independent movies - I just make them at Sony and Paramount.
I definitely think for up and coming filmmakers, people graduating from film school, people that want to do their own movies, horror movies are a great way to go.
I've been lucky to be educated by watching the old and the great movies, working with good filmmakers, and being educated on sets.
Nobody really truly supporting independent filmmakers anymore. It's just dire. There's a lot of bad filmmaking, and there's a lot of people worshipping some terrible filmmakers. It's a waste of all of our time, if you don't feel anything. We are an age of YouTube kids. We don't care so much anymore. It's all about marketing.
The only advice I can really give to the young filmmakers is to be persistent, don't give up, and keep watching and making as many movies as you possibly can.
If you deconstruct the movies that have done well, Pixar-type movies that do incredibly well and make hundreds of millions of dollars, they have a strain of decency and conservatism that maybe even their filmmakers don't even recognize. Yet, we cross our fingers that by mistake, liberal filmmakers and liberal producers are going to by mistake make conservative movies. We have to become invested in it, or else we have no excuse to complain.
As independent filmmakers, we are actually deeply dependent on each other. The Spirit Awards are a public expression of those bonds, the intricate set of relationships and histories that we filmmakers depend on to make our most personal work.
I find that you learn from others. It's very much about watching TV and watching movies for me and grasping that way and watching other people act.
Sometimes the characters I find the most compelling are in independent movies. With independent scripts people can take more challenges.
This site uses cookies to ensure you get the best experience. More info...
Got it!