A Quote by Jill Soloway
If you're in a room and can be seen by actors, you need to understand that you can be felt by them.
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You don't need great actors to do a 3D picture. All of this condescending stuff that they put out? "Oh, we will always need actors." Bullshit! They are able to take anybody and put some markers on them, and have them walk through an empty room. Then they paint in the background.
I believe in the science. When you think about GMOs, I spend a lot of time on them, and I understand them. But I understand that my telling people on faith may not carry the day. They need to see it, understand it, [and we need to] arm them with facts, educate them, and let them make their choices.
Maybe because I am an actor-casting director, I always felt that we need good actors in the industry and we need to bring them at the top.
The most exciting thing I've seen is directors not only being open to actors coming in the room with different abilities but actively looking at ways that the story can be enlarged with disabled actors.
As a director, I hoped that I was able to help the actors by giving them the space and the respect they need and the trust. I gave them what I always felt I needed when I was working.
A knowledge that another has felt as we have felt, and seen things not much otherwise than we have seen them, will continue to the end to be one of life's choicest blessings.
You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be and you let them go. Some actors like to be nudged just a little bit. Some actors don't mind line readings.
You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children, you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be, and you let them go.
I always felt that when I was photographing, I had a psychic need to see this, to photograph this. And I think if somebody else had been doing this work, and if I could have seen these pictures anywhere at all, then there would have been no need to make them.
My true role is to get actors to understand what the camera is doing and what my intent is so they don't waste their good stuff on over-the-shoulder shots and wide shots. They need to know when we're going in to get something important, so they know to really go for it. No human being can give you 1,000 percent on every single take or shot, so you need to let them know what you're heading for. It's important that the actors know they're being looked after and being recorded in a way so they can do their best.
We need to send a message to Vladimir Putin through stronger sanctions. We need him to understand that the sanctions that we put in place can have a significant impact on his economy that we need to deter further action from him. And understand who he is, former KGB colonel, he's a bully, and bullies only understand when we punch them in the nose but we need to do that economically. That is our strongest move at this point.
It's our job as actors to make it look like it's not manufactured. If you have two actors who understand their characters - and therefore what they are trying to portray - then all they need to do is be the characters and there's a chemistry there.
I'd love to perform with other actors and act with actors, true actors. I would like to be in a movie and have full room for acting.
When you've seen all of Ionesco's plays, I felt at the end, you've seen one of them.
My sons have to learn that you take the rough with the smooth and they've seen a lot of smooth in the years that they've been around. They didn't see the early years. But both my mum and myself are actors and we constantly tell them it's not easy. But they understand that.
As a director, you have to know what actors are doing. You're the one telling them what to do. The actors' job is to come prepared to the set, but sometimes, if they're beginning actors or people who are non-actors, you have to teach them how to act.
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