A Quote by Jill Soloway

'Six Feet Under,' for me, was college. Alan Ball and Alan Poul ran that show and really taught me what it meant to really run a show in a classic way. — © Jill Soloway
'Six Feet Under,' for me, was college. Alan Ball and Alan Poul ran that show and really taught me what it meant to really run a show in a classic way.
Just to clarify the division of labor on the show, I write the show and Alan [Poul] does everything else.
That was something that I learned from Alan Ball from “Six Feet Under." He didn”t really like to have too many pop culture references because they don”t really hold up after a few years.
One of the funniest lines in my show was written for me by Alan Bursky. I really want to learn this routine!
I spent a year storyboarding and writing on a show called 'The Marvelous Misadventures of Flapjack' for Cartoon Network, which really taught me how to run a show. Or at least the idea of running a show.
I did a Broadway show with Alan Alda and how much money can Alan Alda have.
I did a Broadway show with Alan Alda and how much money can Alan Alda have.
I was selling a piece of my art on eBay from The Escapist, which was an adaptation of The Adventures of Kavalier and Clay, and the person who bought it was Alan Heinberg, one of the executive producers of the show and was a huge fan of my work and asked if I'd be interested in maybe being the ghost artist for Seth. It clicked and I could relate to Seth's plight on the show. It became really easy to fill in his shoes, and people really grabbed onto it; they really dug that sort of very minor sub-plot in the show.
Don't worry, Alan. At least you'll be able to play close to a great team. (to Alan Ball, who'd just signed for Everton)
Casting is really weird. Honestly, when Alan Ruck's name came up - and I've worked with Alan before - I went, "Yes, he's perfect." He came in and read for us, which was really sweet of him because he didn't have to, and he nailed it in seconds. We knew exactly who we had. That stuff is really good and fun.
Said of her husband on the day their divorce became final: Oh, don't worry about Alan. . . . Alan will always land on somebody's feet.
I've played under Alan Pardew, Gianfranco Zola, Avram Grant, Sam Allardyce, Alan Curbishley and Slaven's made me captain.
Alan: "I had terrible stage fright." Sin: "I'm not familiar with the concept of 'stage fright.'" A: "It's pretty awful. You end up having to picture the entire audience in their underwear. Phyllis was in that audience, you know." S: "Why, Alan, I had no idea your tastes ran that way." A: "Phyllis is a very nice lady. And I do not consider her so much aged as matured, like a fine wine. But I still think you owe me an archery lesson.
Alan Rickman told me to do a play, so I did. Because when Alan Rickman tells you do something, you go and do it.
Show me thy feet, show me thy legs, thy thighs Show me those fleshy principalities; Show me that hill where smiling love doth sit, Having a living fountain under it; Show me thy waist, then let me there withal, By the ascension of thy lawn, see all.
My role on 'Silicon Valley' was so small that I didn't have a lot of influence anyway in the show. There are four guys who really write that show and run that show and then six or eight hanging out in a room kicking in a few bits.
So-called reality TV, which dominates British channels, is destroying what made it cherishable to me and lots of others in the first place. I loved Alan Clarke, Ken Loach and Alan Bleasdale's work. In fact the first TV dramas I ever saw were 'Screen Twos' produced by David Thompson, who also produced a lot of Alan Clarke.
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