A Quote by Jill Soloway

My interest in community is what fuels my work as a writer, more than just wanting to write or just wanting to have a TV show. — © Jill Soloway
My interest in community is what fuels my work as a writer, more than just wanting to write or just wanting to have a TV show.
I don't know that I ever wanted greatness, on its own. It seems rather like wanting to be an engineer, rather than wanting to design something--or wanting to be a writer, rather than wanting to write. It should be a by-product, not a thing in itself. Otherwise, it's just an ego trip.
I think that anytime that you can open your eyes and see all that you have and all that you've been blessed with, it's the greatest way to connect you with God, just being grateful rather than always wanting more, wanting to be different, wanting to be better.
It's aggravating to me when you meet people that are just... you know, there's a difference between wanting to be an actor or a writer or something creative, and just wanting to be seen.
I think escapism is something artists write about pretty frequently - it's something everyone can relate to, the concept of wanting something more, wanting to find solace, wanting to have something better.
Only yesterday a young woman came to me wanting a trap set for a man with a sweet smile and lithe arms. She was a fool, not for wanting him, but for wanting more of him than that.
Rock stars wanting to write is even worse than wanting to act in movies, right?
I think everybody has a hard time connecting, but as you get older and you want more and you expect more and you know more, it's just different. If you start wanting too much from it without it naturally unfolding, then that makes it bad. If you start not wanting anything, then you are not serious. I mean it's just this conundrum of issues.
From the age of 16 on, I brought my guitar everywhere. I just fell in love with learning the guitar, and I wanted to learn songs and chords, and that led to wanting to start a band, and to wanting to do our first show.
It was palpable, all that wanting: Mother wanting something more, Dad wanting something more, everyone wanting something more. This wasn't going to do for us fifties girls; we were going to have to change the equation even if it meant . . . abstaining from motherhood, because clearly that was where Mother got caught.
Wanting to be on television is a mental illness. Wanting to be president of the United States, wanting to be an actor - these are degrees of the same mental illness. If you need to be approved of simultaneously by more people than are in this room now, there's a problem.
It's easy to leave people wanting more after the first episode, but it's hard to leave people wanting more after the 24th episode. And it's my job, more than anybody else's, to keep that in mind. One season, in TV terms, is nothing. You need to hit it for three or four seasons, and then you're doing well, in TV terms. Then, you've done your job.
Writing was the soul of everything else ... Wanting to be a writer was wanting to be a person.
At the major studios, you see people wanting to remake a TV series, wanting to make a sequel.
I just want to start conversations. I want to do films that prompt conversations - whether that is positive, negative, indifferent - just ones that you leave the theater wanting to know more, wanting to watch the film over and over again.
I'm a civilized person who obeys the law and is pretty easy to get along with, but I'm more complicated than that. I use my work as a way to get all that other stuff out and experiment with feelings and ideas, and the forbidden. That's just part of my process, I think, to identify something forbidden. That's what lures me into wanting to do the work, write the story down.
And I didn't grow up wanting to be a director. I grew up wanting to be a writer, so for me, that was always the goal - to be a novelist, not a screenwriter. And I think, again, if I didn't have the novels, maybe I'd be much more frustrated by not having directed yet.
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