A Quote by Jill Stein

I mean, this is a joke, to try to implicate me as like a friend of the Russians. — © Jill Stein
I mean, this is a joke, to try to implicate me as like a friend of the Russians.
People try to put ownership on things: 'That's mine, that's my joke.' No such thing. Like if you tripped or stumbled and people go, 'Oh, that's Charlie Chaplin.' You know what I mean? You can't own a joke. You can be the guy that tells it the best, but you can't own a joke. Nowhere can you own a laugh.
I keep on repeating something told to me by an American psychologist: "When you are making a joke about someone and you are the only one to laugh, it is not a joke. It is a joke only for yourself." If people are making a joke they have the right to laugh at me but I will ignore them. Ignoring doesn't mean that you don't understand. You understand it so much that you don't want to react.
I'd like to be the sort of friend that you have been to me. I'd like to be the help that you've been always glad to be; I'd like to mean as much to you each minute of the day, as you have meant, old friend of mine, to me along the way.
Prana is implicate to matter but explicate to mind; mind is implicate to prana but explicate to soul; soul is implicate to mind but explicate to spirit; and the spirit is the source and suchness of the entire sequence.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
I think that is where poetry reading becomes such an individual thing. I mean I have friend who like poets who just don't say anything to me at all, I mean they seem to me rather ordinary and pedestrian.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
Often, when you're in some of these writing rooms for... and the most restrictive is network television, right? They say, 'Wow, that's a great joke, but we can't do that. Okay, let's try the second joke. Oh, you can't do that one. But the third joke you can do,' and hopefully it will be great, but it will remind people of what the joke really was.
There was a lot of prejudice towards Russians in Latvia. When I went to school, often Latvians didn't like me, and Russians and Latvians didn't like Americans, so that was a whole other prejudice.
I try not to be mean for the sake of being mean, and if I do do a joke or a tweet or something that is at someone's expense - and those are my fine lines; obviously they're there - I want it to be something that's pretty much across the board we all as a society agree this is bad.
I had an awful joke about Auschwitz I drove everybody crazy with that joke. But that joke makes me feel good. You know what "cuit" means? When something is cooked. It's a joke like that: "What are the birds doing when they fly over Auschwitz? 'Cuit! Cuit!'" It's awful, but it's desacralizing. For me, it's good.
If I think something's funny, I try to mold it into a joke as soon as possible. Once I have a joke, I say it a million different ways on stage until I find a rhythm and it feels like it's as good as it can be.
As far as outlining is concerned, I don't outline humor. I might right down a word or two to remind myself of a punch line I thought of, but the actual structure of a piece I really don't. I don't think it would really help me because for me the process is joke, joke, joke, joke.
I started to make a joke that I had an imaginary friend underneath the let-out couch named Binky. I would never talk to him; I would only use him as entertainment for other people. I knew they thought that children had imaginary friends, so I was like, "I don't really believe in imaginary friends, but I want to feel like I do." I used to make a joke, "My imaginary friend Binky says this," because I knew it would get a laugh out of them.
Bye-bye, Elan. P.S., Next time you implicate someone falsely, try to pick a pacifist.
Matter of fact, the way we got a path, a great friend, Arlen Specter, I convinced him to switch parties. Not a joke. Not a joke. He was the deciding vote.
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