A Quote by Jill Tweedie
I have always liked reading biographies. It is the ideal literary genre for someone too prim, like me, to acknowledge a gossipy interest in the living - don't you hate gossips, aren't they too awful? - but avid for any nuggets from the private lives of the dead because that is perfectly respectable, an altogether worthy and informative way of spending one's time.
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Mystery, investigation, false leads, solution - we associate that structure with genre fiction, but it exists in our real lives, too. There's no reason why literary fiction shouldn't be able to acknowledge that and make it fresh.
Rumors chase the dead like flies, and we follow them with our prim noses. None of us are gossips, but we love listening to those who are.
I think too much is known about me already. I think biographical information can get in the way of the reading experience. The interchange between the reader and the work. For example, I know far too much about Norman Mailer and Kurt Vonnegut. Because I know as much as I do about their personal lives, I can't read their work without this interjecting itself. So if I had it to do over, I'd probably go the way of J.D. Salinger or Thomas Pynchon. And just stay out of it altogether and let all the focus be on the work itself and not on me.
Too unconcerned to love and too passionless to hate, too detached to be selfish and too lifeless to be unselfish, too indifferent to experience joy and too cold to express sorrow, they are neither dead nor alive; they merely exist.
All the controversialists who have become conscious of the real issue are already saying of our ideal exactly what used to be said of the Socialists' ideal. They are saying that private property is too ideal not to be impossible. They are saying that private enterprise is too good to be true. They are saying that the idea of ordinary men owning ordinary possessions is against the laws of political economy and requires an alteration in human nature.
So many writers live their whole lives in rooms. You can be too civilised in the environment you have around you, too oriented towards speaking engagements and literary festivals and dinner parties. That has no interest for me these days. You get to a point where you don't care anymore. At that point, you can start to write.
My son Saif is an avid reader. He points me to books worth reading. I also must do the Indian Express crossword every morning, which is not too difficult and yet not too easy either.
Reading is always a way of forming a bond with other people. I'm not very good at socializing - I quite like spending time alone - so reading is a way of engaging quite deeply with the way other people think. Quite often when you meet other people socially you don't get to have a conversation of any depth. You end up talking about how well or how badly someone is doing at school or something of that sort. Questions like, "What we are," "Who we are," "Where are we going," you get those from literature and from people that spend some time thinking.
Reading is everything. Reading makes me feel like I've accomplished something, learned something, become a better person. Reading makes me smarter. Reading gives me something to talk about later on. Reading is the unbelievably healthy way my attention deficit disorder medicates itself. Reading is escape, and the opposite of escape; it's a way to make contact with reality after a day of making things up, and it's a way of making contact with someone else's imagination after a day that's all too real. Reading is grist. Reading is bliss.
I hate a song that makes you think that you are not any good. I hate a song that makes you think that you are just born to lose. Bound to lose. No good to nobody. No good for nothing. Because you are too old or too young or too fat or too slim too ugly or too this or too that.
On the other hand, when I give it closer thought, I realize I'm not enough of a dictator to conduct an orchestra because it requires a pretty awful person. When you read these biographies of famous conductors, they are all awful people who fail in their private relationships.
One of the things that I love when I go to a film or when I'm reading some book or whatever, is to be told a secret I thought only I knew and then someone says, "Oh my gosh, you know, too." And film can take us into private moments in a way that the theater, I think, kind of can't, and that's one of the reasons I like doing films. And the way a book can is that these little secrets and the private things that go on in our minds that maybe we haven't shared with anyone, and then someone writes it or shows it to you in a film, you think, "Oh, that's me. Oh my God, that's me, I have that secret."
Any time I have a promo with him - and I like R-Truth, too - but I always have the best chemistry with Miz. We really don't stay on script perfectly. We kind of bounce off each other... He is the one I paid attention to when it came to promos. He helped me so much along the way with backstage segments.
The only time I felt I was different was when one of my friends said, 'I hate reading' and I stared at her like, 'What kind of an alien creature are you?!' Because it was so incomprehensible to me that someone could dislike reading! That really started my desire to help other children love reading and writing.
Unusual financial activity: none, unless you count the fact that someone in the family is way too into Civil War biographies. (Can this be a possible indication of Confederate insurgents still living and working in Virginia? Must research further.)
I don't like food that's too carefully arranged; it makes me think that the chef is spending too much time arranging and not enough time cooking. If I wanted a picture I'd buy a painting.
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