A Quote by Jill Wagner
When work seems like a job, I don't do it anymore.
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When work seems like a job, I don't do it anymore. I always want it to be something I'm interested in and something that challenges me.
As an actor, it seems like we're always trying to get a job, so when you actually have a job, it's just amazing to get to work on your art on a daily basis and do what you love.
I like to have fun at work. It's okay if I don't. I've had that a few times. But generally, I'm someone who has a lot of fun at work, because I like my job. I think it's a fantastic job, at least that part of it is a fantastic job. And I like to have fun, and I personally feel that whether you're talking about the cast or the crew or the director or any combination thereof, that when people feel involved and comfortable and they feel like their work is being supported, that's the best environment to do good work.
It seems like songwriting for most songwriters is only one season in their life, a five or ten year period. For me, I don't worry about it, but I know there might come a day when I can't write anymore, or don't have good song ideas or the fire to do it anymore.
I know nobody believes in peace anymore, but what else is there to work toward? As the years have gone by, peace seems like more and more of an impossibility.
I think that people should find a niche that will work. I have friends growing up who sat around playing video games for hours after school, and now they work for the video game industry. People need to find a niche so it doesn't feel like a job anymore. When I'm working on the "Lights Out" brand, it's fun. It's not work.
My job never actually leaves me. I watch people who come home from work at six and they're done, and that seems crazy. Then again, they have to get up at seven and go to work, to a job that maybe they don't really care about, and I get to do something that I care about.
You never know why or when the next job is coming. I actually like that. It's kind of exciting. I don't punch in. I don't have a 9 to 5 job. When you do work you're lucky enough to go to interesting places and meet mostly interesting and talented people, so it's really a great job if you can work.
When musicals don't work, they really don't work. But when they work, and someone is singing because they can't speak anymore, or they're dancing because they can't move anymore, moving is not enough to express - it's this beautiful thing.
I feel incredibly lucky at this moment in my career to get paid to do basically exactly what I always wanted to do. I appreciate that in general. But you know, like any job, a job is a job, and there are days that are going to be boring, or you have a boss you don't like, or people you work with.
I'm typically attracted to men or male-identified people 99% of the time. But I guess if I had to pick a label for it, I don't know know... 'Gay' doesn't really work anymore because it means when a man loves a man, and I don't feel like a man. That doesn't super work for me anymore.
At forty, I was too old to work as a programmer myself anymore; writing code is a young person’s job.
It seems to be that more and more people are asking you to work for nothing on films, and that's unfortunate because you have to make a living. On the other hand, I don't do a better job because I get paid a lot of money. I'm never like, 'I'm not going to work as hard because I'm not getting paid as much.'
When I first started, my main goal was to not be bartending anymore, and to not be working at the bank anymore. I just wanted acting to be my job.
Sometimes, when asked the what-do-you-do question, it occurs to me to say that I work for the government. I have a government job, essential to national security. I AM A CITIZEN. Like the Supreme Court judges, my job is for life, and the well-being of my country depends on me. It seems fair to think that I should be held accountable for my record in the same way I expect accountability from those who seek elected office. I would like to be able to say that I can stand on my record and am proud of it.
The work of black creatives seems to always get undermined in one way or another, and that's what this new generation is actively changing by speaking up. We aren't accepting group categorization and group classifications to describe our work anymore - it just leads to group dismissal.
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