A Quote by Jillian Bach

The challenging thing is that we go home after doing the run-through and the writers stay there working, so sometimes I get script changes delivered to me at midnight. It's constantly shifting.
In animation, you may be working with 20 writers, and everybody has to write the same thing. You can't have episodes that don't feel like they belong. In comics, you're gonna write a whole run, which means it's your style that's coming through. But when you're working on a show that's collaborated with a dozen other writers, you have to have a style that blends the show together. So you can't write it the way you normally would, because your script will stand out from all the others.
Writers get to stay with the piece. They don't just turn the script in and somebody else takes it over and goes out and produces it and edits it and all that stuff. We stay with the piece all the way through.
Sometimes I have to run and hide. What I do at home sometimes is, I listen to a CD of the roughness of the ocean. I turn every light off, and I turn the stereo on, and I just go in my mind, cry, talk to God, tell him, 'I'm your child, too.' And I stay in my little solitude until I can get the strength to go outdoors.
I’m constantly in doubt about what I’m doing, I’m constantly tortured, and that’s why I say happiness is irrelevant. Happiness is for children and yuppies. I’m not striving for happiness, I’m trying to get some work done. And sometimes the best work is done under doubt. Constant rethinking, and reevaluating what you’re doing, working and working until you feel it’s finished. And that’s an interesting point too, that you’ve got to know when to stop. Sometimes there’s a magical moment when everything comes together.
When you try to be true to the script, changes occur. A script is there to show us a certain direction. But when you actually have the actors in and you start shooting the movie, you have the actor say a line and it doesn't sound right so you change it and make it different. It's the script that gives birth to these changes and the more you try to stay true to the script, the more that happens.
There's a tendency, guys get really excited and go through practice, and they want to stay for an extra hour after and do these workouts. What you should be doing is getting in the cold tub or getting your corrective exercises in with your strength coach, little things like that which can help you in the long run.
You really can't go home again. Sometimes, that's a good thing. Sometimes, when you try, you find out that home isn't really there anymore... but that it wasn't only in your head before. Home actually existed. Home wasn't just a dream. Sometimes, that's the best thing of all.
When I was in high school, my mom gave me a paperweight. It was when I was going through my 'not that interested in doing homework or really working on anything' phase and the paperweight said "If you're not the lead dog, the view never changes." And that's sort of the same thing, if you're not always working to be in the front.
I'm an athlete, so I can get up one day and run and it wouldn't bother me. I don't get the time because I work for long hours every day. Being constantly on the move itself helps me stay fit. I don't go to a gym. I use the stairs, not the lift. I'm not into fitness, but I feel I should start, as it's healthy.
I watch something in the gym, try to do it and may not get it. When I go home that night and my wife is talking to me and I'm not answering her, it is because I'm visualizing that thing I'm working on. I'll do that all day long. Before I go to bed I'm still thinking about it, and that happens until I can see myself doing it.
If the idea is you're working at a job solely to pay the bills because you have ambitions to do something else, if you're not actively trying to do that other thing, you've gotta make sure you're doing that. Sometimes you've gotta take away your own safety net. But if you feel miserable in a day job, in any job, get out of that. Look for something else. Stay in that job until you have the other thing set up, and then go to that other thing. But sometimes you've just got to jump out with a parachute and trust that you're going to land someplace safe.
I'm too nervous to eat before I go onstage, and I'll usually eat out after the performance or when I get home at midnight.
For a year after I left Cambridge, I had an agent, and I was working in a pub and doing waitering. But I could stay at home rent-free.
The script is always the main preparation for me. Sometimes you have a period piece where you have to research around it, but if the writers have done their homework well enough, the information is all in the script.
I need to figure out how to sleep better. Most of my binge watching is after midnight. Most of my baking is after ten. I'm really working on trying to sleep more. No devices in my bed, get into a routine. I've started doing yoga every night.
When I was working on my Ph.D., I developed a computer algorithm to look for rapid changes in populations' DNA. Our DNA changes constantly over generations, but if certain changes spread through a population more quickly than others, they are probably the beneficial results of natural selection. This is the protection we give ourselves to survive.
This site uses cookies to ensure you get the best experience. More info...
Got it!